原文：https://reurl.cc/R1kGgx 來源：https://reurl.cc/q8YA2y Credit:@toomuchidea "Sakurazaka46's new aggressive stance shown in Nobody's Fault. Examining the bold, delicate, and dynamic figure in debut song" 《Nobody's Fault》展現出櫻坂46的新積極姿態，從出道曲中可以看到大膽、細膩及動感 的形象。 The author wrote that Keyaki has been a group with offensive stance from the start, so they feel relieved that it continues 作者說欅坂從一開始就是帶著強烈姿態的團體，看到這點延續下來後鬆了口氣。 The first thing they like about the song is the BPM. When making a fresh start, a danceable, light-hearted, and bright song is often the "safe bet" to be chosen. But this song have an imposing BPM of 110 首先他們喜歡歌曲的躍動感，通常在一個全新的開始，會選擇有律動感、輕快、明亮的「 保險牌」歌曲，但這首歌的氣勢是心跳110。 Then they describe the mood of the song 接著談到歌曲的氣氛 "A hard rock sound with a brass arrangement, with an confident feeling as if walking step-by-step. Aggressive guitar & handclap intro that taunts, a rhythmic fill-in & a dramatic raspy chorus modulation makes the overall sound powerful. Above all, the lyrics are strong" "<Saying something like “Let’s change this world” Don’t be so conceited> 伴隨著銅樂的重搖滾，有著走路 步步踏實的自信，開場是嘲諷挑釁，具侵略性的吉 他與拍手聲，副歌是充滿節奏與強烈戲劇性的調和，使整體聽起來很有力，此外歌詞也相 當強烈，訴說著像是「讓我們改變這世界」，別自負了。 They sing phrases like this, as if bringing down a crushing blow from a distant height, with a provocative tilt of head and a fearless smile on their face. Honestly, it makes me feel thrilled" 他們唱著如此的片語，如同從高處帶來一個輾壓性的打擊，挑釁的將頭歪向一邊，臉上掛 著無懼的笑容，說實話這讓我感到顫慄。 Instead of songs with strong theatrical elements (i.e having a lot of movements) like in Ambi / Hitsuji, the amount of movement is kept to an average or lower amount for a modern dance vocal work, and the increased time spent facing the audience creates a sense of intimidation 歌曲不像《Ambivilent》、《黑羊》有強烈戲劇元素(很多動作)，動作的量在現代舞蹈聲 樂作品中，是保持在一般或稍低的量，增加面向觀眾的時間，營造出威嚇感。 Instead of large movements to show the group movement, there are small gestures near the face, such as waving "bye bye", giving the bold and delicate impression. "braveness" and "beauty" coexist 並非呈現團體的大幅度動作，而是有著在臉部周圍的小動作，例如：揮手拜拜，留下了大 膽且細緻的印象，勇敢與美麗並存。 they then quoted this part from yuuka's interview Thanks (Sugai Yuuka, B.L.T2020 October) 接著文章引用友香在B.L.T 2020 October 的雜誌採訪。 they don't know how much of the members' thoughts are reflected in the work, but it's a new direction while still following the trend. the author wrote that until now, it feels like they are sending a message to people who can understand each other "somewhere in this world" 他們不知道作品反映出多少成員的想法，但這仍是在延續原趨勢下的新方向，作者寫到， 直到現在，感覺他們仍然在傳遞訊息給在世界某處，可以相互理解的人。 but nobody's fault feels like throwing a fastball to the other person who is standing right there, like saying "i'm talking to you!" 但《Nobody's Fault》感覺像是將快速球投向站在那的人，傳達著「我就是在對你說!」 Hikaru went beyond the author's expectation, though still within the prediction of many people. Her short figure is visually compelling and create a well balanced look. the liveliness of her figure as she jump and shout can be a shock, because she's a small girl 雖然仍在許多人的預期中，但森田光超乎作者的預期，她嬌小的身形在視覺上很吸睛，創 造出平衡很好的樣貌，因為她是個小女孩，跳躍與喊叫的活潑形象可以帶來震撼。 The powerful and delicate choreography is expressed through her whole body 透過她的全身傳達出有力且細膩的舞蹈。 on the selection, koike ozeki and ten that was dropped in 9th was put in this time. the author noted that this three have shown more success than the other members 選員部分，9單落選的小池美波、尾關梨香和山崎天這次有被選上，作者提到這3人展現出 比其他成員更多的成功。 koike seems to be playing an important role as the back center too, and seems to be making use of her experience from online live in july. she have matured over the past year, and it feels like she's pouring her charm into this work 小池身為後Center看起來扮演著重要的角色，利用7月份online live獲得的經驗，過去幾 年她成長許多，感覺她正將自身魅力注入作品中。 the author ended it by saying that there is no need<to willfully be in despair> just because they are not selected this time. they hope that everyone can do what they got to do, work hard and encourage each other for the next one 作者結尾說到這次沒被選上的人，不必有意的陷入惆悵，他希望每個人都能為下個機會， 做好本份、努力工作並互相鼓勵。 ------------------------------------------------------------------------------ 第三手資訊，表達不周之處請見諒 --

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