※ [本文轉錄自 NTHUTL95 看板] 作者: Yellen (清晨中午傍晚天黑) 看板: NTHUTL95 標題: 2007 亞洲電影國際學術研討會--現代性與文化流動 在交大 時間: Wed Oct 17 19:39:49 2007 ██████████████████████ 　　　█████████████████████████ 　　　　　 ███2007 亞洲電影國際學術研討會--現代性與文化流動███ █████████████████████████ █████████████████████ ☆★☆★ ９６年１１月２日 ★☆★☆ ◇ 日期：９６年１１月２日（五） ◇ 地點：國立交通大學電子資訊大樓之國際會議廳 ◇ 報名：自即日起至九十六年十月二十九日（一）截止。 http://140.113.222.97/xoops/TMP/html/modules/liaise/ ※ 參與名額有限，歡迎各界踴躍參加，會場提供餐點及 其他相關資源，以線上報名順序為優先提供對象。 ◇ 國立交通大學外國語文學系暨外國文學與語言學研究所主辦、 國立交通大學教學發展中心協辦 　　　 　◇ 本會議由聯電補助科技講座捐款、 國立交通大學邁向頂尖大學計畫之「當代批判理論與視覺創意文化」及 　　　　 國立交通大學教務處贊助。 ◇ 助理　林敬凡 [email protected] 王遠洋 [email protected] 電影中心網頁: http://film.nctu.edu.tw/index.jsp 活動報名網址: http://140.113.222.97/xoops/TMP/html/modules/liaise/ ║ Registration: 8:30am ║ ╠══════════════════════════╣ *[1;33mRegistration: 8:10-8:40 am *[;37 ║ 8:50 Welcome and Opening Words ║ ║ Ivy I-chu Chang ║ ╠══════════════════════════╣ ║ 9:00 Session 1: Gender, Subjectivity, and Memory ║ ║ Chair: Joyce C.H. Liu ║ ╠══════╦═══════════════════╣ ║ Ivy I-chu ║"Mourning Love: The Stigma and Traumay║ ║ Chang ║ of Zero Chou's Gay and Lesbian Films"║ ╠══════╬═══════════════════╣ ║ ║"Lost in the Cosmopolitan Crime Zone: ║ ║ Vivian Lee ║ Time, Memory, and the Schizophrenic ║ ║ ║ Cop-hero in Hong Kong Cinema" ║ ╠══════╬═══════════════════╣ ║Kien Ket Lim║"Ang Lee's Angst" ║ ╠══════╩═══════════════════╣ ║ 10:25 Tea Break ║ ║10:45 Session 2: Modernity, Masculinity, and Musical║ ║ Chair: Mark Betz ║ ╠══════╦═══════════════════╣ ║ Kuei-fen ║"The Japanese Model and the Formation ║ ║ Chiu ║ of Early Taiwanese Modernity" ║ ╠══════╬═══════════════════╣ ║Tee Kim Tong║"(Post)Modernist Space in ║ ║ ║ Cai Mingliang's Films" ║ ╠══════╬═══════════════════╣ ║Chih-ming ║"Tracking Initial D: Street Racing and║ ║Wang ║ Transpacific Masculinities" ║ ╠══════╩═══════════════════╣ ║ 12:15 Lunch Break ║ ╠══════════════════════════╣ ║13:30 Session 3:Cross-cultural Exchange, National ║ ║ Trauma, and Film Aesthetics ║ ║ Chair: Ping-hui Liao ║ ║ Darrell W. ║"Anim-Asia as Post-photographic ║ ║ Davis ║ Ethnicity " ║ ╠══════╬═══════════════════╣ ║Timothy Iles║"Animating the Inanimate: Spirituality║ ║ ║ and Ideal Space in Japanese Anime" ║ ╠══════╬═══════════════════╣ ║ ║ The Primitive in the Modern, the ║ ║Eric K.W. Yu║ Victim in the Aggressor: Some Notes ║ ║ ║ on the Aesthetics of J-Horror " ║ ╠══════╬═══════════════════╣ ║Emilie Yeh ║"Four Women of the Chinese Musical" ║ ╠══════╩═══════════════════╣ ║ 17:25 End ║ ╚══════════════════════════╝ -- Delegate Affiliation List: Mark Betz (King’s College, University of London) Ivy I-chu Chang張靄珠(National Chiao Tung University), “Mourning Love: The Stigma and Trauma of Zero Chou’s Gay and Lesbian Films” Shu-chen Chiang蔣淑貞(National Chiao Tung University), “The Incorporation of “Asia” into Taiwan Cinema: Issues of Cross-cultural Communication and Mis-communication.” Kuei-fen Chiu邱貴芬(National Tsing Hua University), “The Japanese Model and the Formation of Early Taiwanese Modernity” Darrell W. Davis (University of New South Wales), “Anim-Asia as Post-photographic Ethnicity” Timothy Iles (University of Victoria), “Animating the Inanimate: Spirituality and Ideal Space in Japanese Anime” Richard King (University of Victoria), “Catharsis, Vindication and the Market: Re-presenting Chinese National Trauma” Vivian Pui Yan Lee李佩然(City University of Hong Kong), “Lost in the Cosmopolitan Crime Zone: Time, Memory, and the Schizophrenic Cop-hero in Hong Kong Cinema” Chaoyang Liao廖朝陽(National Taiwan University), “Echoes of the Object: Voice and Time in Some Taiwanese Films” Ping-hui Liao廖炳惠(National Tsing Hua University; head of Department of Humanities and Social Sciences, National Science Council) Kien Ket Lim林建國(National Chiao Tung University), “Ang Lee’s Angst” Tee Kim Tong張錦忠(National Sun Yat-sen University), “(Post)Modernist Space in Cai Mingliang’s Films” Joyce C.H. Liu劉紀蕙(National Chiao Tung University) Chih-ming Wang王智明(National Tsing Hua University), “Tracking Initial D: Street Racing and Transpacific Masculinities” Emilie Yeh葉月瑜(Hong Kong Baptist University), “Four Women of the Chinese Musical” Eric K.W. Yu余君偉(National Chiao Tung University), “The Primitive in the Modern, the Victim in the Aggressor: Some Notes on the Aesthetics of J-Horror” --

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