※ [本文转录自 NTHUTL95 看板] 作者: Yellen (清晨中午傍晚天黑) 看板: NTHUTL95 标题: 2007 亚洲电影国际学术研讨会--现代性与文化流动 在交大 时间: Wed Oct 17 19:39:49 2007 ██████████████████████ 　　　█████████████████████████ 　　　　　 ███2007 亚洲电影国际学术研讨会--现代性与文化流动███ █████████████████████████ █████████████████████ ☆★☆★ ９６年１１月２日 ★☆★☆ ◇ 日期：９６年１１月２日（五） ◇ 地点：国立交通大学电子资讯大楼之国际会议厅 ◇ 报名：自即日起至九十六年十月二十九日（一）截止。 http://140.113.222.97/xoops/TMP/html/modules/liaise/ ※ 参与名额有限，欢迎各界踊跃参加，会场提供餐点及 其他相关资源，以线上报名顺序为优先提供对象。 ◇ 国立交通大学外国语文学系暨外国文学与语言学研究所主办、 国立交通大学教学发展中心协办 　　　 　◇ 本会议由联电补助科技讲座捐款、 国立交通大学迈向顶尖大学计画之「当代批判理论与视觉创意文化」及 　　　　 国立交通大学教务处赞助。 ◇ 助理　林敬凡 [email protected] 王远洋 [email protected] 电影中心网页: http://film.nctu.edu.tw/index.jsp 活动报名网址: http://140.113.222.97/xoops/TMP/html/modules/liaise/ ║ Registration: 8:30am ║ ╠══════════════════════════╣ *[1;33mRegistration: 8:10-8:40 am *[;37 ║ 8:50 Welcome and Opening Words ║ ║ Ivy I-chu Chang ║ ╠══════════════════════════╣ ║ 9:00 Session 1: Gender, Subjectivity, and Memory ║ ║ Chair: Joyce C.H. Liu ║ ╠══════╦═══════════════════╣ ║ Ivy I-chu ║"Mourning Love: The Stigma and Traumay║ ║ Chang ║ of Zero Chou's Gay and Lesbian Films"║ ╠══════╬═══════════════════╣ ║ ║"Lost in the Cosmopolitan Crime Zone: ║ ║ Vivian Lee ║ Time, Memory, and the Schizophrenic ║ ║ ║ Cop-hero in Hong Kong Cinema" ║ ╠══════╬═══════════════════╣ ║Kien Ket Lim║"Ang Lee's Angst" ║ ╠══════╩═══════════════════╣ ║ 10:25 Tea Break ║ ║10:45 Session 2: Modernity, Masculinity, and Musical║ ║ Chair: Mark Betz ║ ╠══════╦═══════════════════╣ ║ Kuei-fen ║"The Japanese Model and the Formation ║ ║ Chiu ║ of Early Taiwanese Modernity" ║ ╠══════╬═══════════════════╣ ║Tee Kim Tong║"(Post)Modernist Space in ║ ║ ║ Cai Mingliang's Films" ║ ╠══════╬═══════════════════╣ ║Chih-ming ║"Tracking Initial D: Street Racing and║ ║Wang ║ Transpacific Masculinities" ║ ╠══════╩═══════════════════╣ ║ 12:15 Lunch Break ║ ╠══════════════════════════╣ ║13:30 Session 3:Cross-cultural Exchange, National ║ ║ Trauma, and Film Aesthetics ║ ║ Chair: Ping-hui Liao ║ ║ Darrell W. ║"Anim-Asia as Post-photographic ║ ║ Davis ║ Ethnicity " ║ ╠══════╬═══════════════════╣ ║Timothy Iles║"Animating the Inanimate: Spirituality║ ║ ║ and Ideal Space in Japanese Anime" ║ ╠══════╬═══════════════════╣ ║ ║ The Primitive in the Modern, the ║ ║Eric K.W. Yu║ Victim in the Aggressor: Some Notes ║ ║ ║ on the Aesthetics of J-Horror " ║ ╠══════╬═══════════════════╣ ║Emilie Yeh ║"Four Women of the Chinese Musical" ║ ╠══════╩═══════════════════╣ ║ 17:25 End ║ ╚══════════════════════════╝ -- Delegate Affiliation List: Mark Betz (King’s College, University of London) Ivy I-chu Chang张霭珠(National Chiao Tung University), “Mourning Love: The Stigma and Trauma of Zero Chou’s Gay and Lesbian Films” Shu-chen Chiang蒋淑贞(National Chiao Tung University), “The Incorporation of “Asia” into Taiwan Cinema: Issues of Cross-cultural Communication and Mis-communication.” Kuei-fen Chiu邱贵芬(National Tsing Hua University), “The Japanese Model and the Formation of Early Taiwanese Modernity” Darrell W. Davis (University of New South Wales), “Anim-Asia as Post-photographic Ethnicity” Timothy Iles (University of Victoria), “Animating the Inanimate: Spirituality and Ideal Space in Japanese Anime” Richard King (University of Victoria), “Catharsis, Vindication and the Market: Re-presenting Chinese National Trauma” Vivian Pui Yan Lee李佩然(City University of Hong Kong), “Lost in the Cosmopolitan Crime Zone: Time, Memory, and the Schizophrenic Cop-hero in Hong Kong Cinema” Chaoyang Liao廖朝阳(National Taiwan University), “Echoes of the Object: Voice and Time in Some Taiwanese Films” Ping-hui Liao廖炳惠(National Tsing Hua University; head of Department of Humanities and Social Sciences, National Science Council) Kien Ket Lim林建国(National Chiao Tung University), “Ang Lee’s Angst” Tee Kim Tong张锦忠(National Sun Yat-sen University), “(Post)Modernist Space in Cai Mingliang’s Films” Joyce C.H. Liu刘纪蕙(National Chiao Tung University) Chih-ming Wang王智明(National Tsing Hua University), “Tracking Initial D: Street Racing and Transpacific Masculinities” Emilie Yeh叶月瑜(Hong Kong Baptist University), “Four Women of the Chinese Musical” Eric K.W. Yu余君伟(National Chiao Tung University), “The Primitive in the Modern, the Victim in the Aggressor: Some Notes on the Aesthetics of J-Horror” --

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