作者neyiat (WAP)
看板translator
标题[笔译] 英翻中 3元/字 社会科学领域书评
时间Fri Nov 11 11:32:32 2022
[必]我已经读过且了解置底版规、费率、发文必读公告,并愿意遵守规定:
Yes
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[必]工 作 量: 3661字(英文)。必须先阅读内文约120页的英文书 Undersea Geopolitics: Sealab, Science, and the Cold War.
[必]工作报酬:3元/字
[必]涉及语言:英翻中
[必]所属领域:社会科学(地理)
[必]文件类型:要投稿到期刊的书评
[必]截 稿 日:11/23 12:00
[必]应徵期限:无,只要能在11/23 12:00前完成即可
[必]联络方式:
[email protected]
[必]付费方式:预付5000元订金,完稿後一天内付清剩下的钱
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[选]工作要求:专有名词翻译完後须在後面用括号加上原来的英文字。
[选]参考段落:
Undersea Geopolitics: Sealab, Science, and the Cold War is a book written by Rachael Squire and published in 2021. The main purpose of this book is to reimagine territory. Sealab was a four-phase project that sought to find out whether humans could dwell in the undersea environment for an extended period of time. Starting from Project Genesis, to Sealab I (1964), Sealab II (1965), and Sealab III (1968), US Navy sent aquanauts to a cylindrical habitat at various depths underwater (58, 62, and 186 meters
for Sealab I, II, and III, respectively.), and asked them to live there for several weeks. Aquanauts had to carry out experiments and undergo physiological and psychological tests there. Squire combed through archives about this series of projects to tell a story of territory, gender, and the elemental.
[选]试 译 文:
In the context of human geography, the word ‘terrain’ becomes popular after Elden’s (2010) article, as he calls on geographers to reflect on the vagueness of the term. And following the start of ‘volumetric turn’, which is a turn in political geography to pay more attention to the three-dimensional space, it becomes popular to imagine terrain and territory in a three-dimensional way. The volumetric turn is popularized by Elden (2013) as well. However, Elden’s concept of three-dimensional space is
a bit ‘abstract’, according to Adey (2013). Adey (2013) thinks Elden should consider the concept of affective atmosphere, which emphasizes immersion rather than engineered structures like the barriers, walls, and tunnels that stand out in Elden’s work. Adey’s opinion represents cultural geographers’ concept of three-dimensional space, which highlights affect and bodily experience. Anderson’s (2009) work on affective atmospheres is the epitome of this concept.
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