※ 引述《generalfungi (香菇将军)》之铭言： : 喝醉酒的戏码是不是最能看出演技的地方？ : 台湾演员真的很容易在这个地方上穿帮 : 大部分都只呈现走路不稳、说话含糊、神智不清的样子，只演外在的表面而已，很像很用力的要告诉观众我醉薰薰的哦，都没有什麽层次感 : 即便谢盈萱吴慷仁这类的我也觉得很假 : 演员有没有料，请他演喝醉的戏就知道 : 丹佐华盛顿在机密真相里喝醉酒的样子至今让我念念不忘 : 宋康昊在韩国电影里也常常喝酒也演得非常好 : 国内演员是不是每次只要演喝醉酒的戏就破绽百出，非常不自然？ : 宋康昊 : ----- : Sent from JPTT on my Google Pixel 6a. 我看过michael caine的一个访谈 觉得满有意思的 跟大家分享一下 “The modern film actor knows that real people in real life struggle NOT to show their feelings. It is more truthful, and more potent, to fight against the tears, only yielding after all those defense mechanisms are exhausted.” Caine goes on to explain further: “The same is true of drunkenness. In real life, a drunk makes a huge effort to appear sober. A coarsely acted stage or film drunk reels all over the place to show you he’s drunk. It’s artificial. And eventually, that kind of acting puts up a barrier between the actor and the audience, so that nothing the character says or does will be believed.” It’s a lesson Michael Caine learned the hard way, as a young actor. He described the experience in an interview with the BBC: “I was supposed to be a drunk, when I was a young actor. And I came in drunk. And the producer stopped it and said, ‘What are you doing?’” “I said, ‘I’m drunk, sir. I’m drunk, in this scene.'” “He [the producer] said, ‘I know you’re drunk in the scene, but you’re not a drunk. You’re an actor trying to be drunk.’” “I said, ‘I don’t understand what you mean.’” “He said, ‘Well, you’re an actor who’s trying to walk crooked and talk slurred. A drunk is a man trying to walk straight and talk properly. Go out and do it again!’” “That is a wonderful basis for movie acting,” Caine concluded. --

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