UnStumm─德国科隆即兴影像与声响计画 A Project For Improvised Film & Music 时间 Time/ 2019/07/01(一) 19:30入场door opens / 20:00开演starts 地点 Venue/ 江山艺改所（新竹市东区兴达街1号） Jiang Shan Yi Gai Suo (No. 1, Xingda St., Hsinchu City) 表演者 Performers/ Claudia Schmitz (DE) / 即时影像 live video Nicola L. Hein (DE) / 吉他 guitar 入场赞助 Donation For Entry/ $300-200 自由定价 Self-pricing Donation ////////////////////////////////////////////////////////////////////////////// 关於表演 About The Performance/ UnStumm跨媒体即兴计画於德国科隆发起，Nicola Hein与Claudia Schmitz近年带着此计 画在各国展演，让来自德国及不同地方的音乐人及视像艺术家合作共演。Stunmm，在德文 指的是「哑、沉默、缄默」，Unstumm，则表示打破沉默，着重以跨领域、跨文化的方式 进行发声，探索创意和思想的激荡碰撞，不同艺术领域之间的对话性。在此计划中的影像 和声音，都将会是即刻发生的，虽然是从排练中熟悉彼此，设定下概念与结构，最终仍保 有现场性，开放即兴的空间，而非一成不变。 （感谢 李世扬 提供文字撰写） Claudia Schmitz and Nicola L. Hein are an interdisciplinary duo that is mostly active with their project UnStumm (https://unstumm.com/), involving several other musicians and video artists. In their duo programme, they keep on developing a common language with live-video, paper sculptures and prepared electric guitar. The extension of the traditional vocabulary of their instruments and media forms a strong basis which they use to create a conversation of images and sounds in which silence plays an important role and a defined quality of sound. Together they toured Japan, Malaysia, South Korea, Hong Kong, Singapore, Argentina and Columbia and are now bringing their project UnStumm to Taiwan. ////////////////////////////////////////////////////////////////////////////// 关於表演者 About The Performers/ ● Claudia Schmitz (DE) http://www.cces-claudiaschmitz.de/slideshowNYC/index.html 媒体艺术家，出生於德国曼次。毕业於科隆高等艺术学院，学习艺术史、影像与媒体艺术 、数学演算等。她擅长使用流动且充气式的雕塑品、 多维度构图，创造多层次的想像空间，探索空间中的新形式，将阻碍的舞台，延伸出更多 可能的使用空间、发展内在与外在的影像语言。Claudia Schmitz的许多作品都细腻地处 理与探讨「参与」的议题。身为一位活跃的艺术家与教育者，自2005年以VJ COCO HÖHN (Live-Visual Jockey)之名出道，陆续获得许多奖项。其作品近年於纽约、布达佩斯、香 港、新加坡等地展出。2017年获得韩国高阳市MMCA艺术驻村。 她的研究领域是：边界和障碍 - 流动过程，虚拟和现实空间中的身体话语和身份，重新 与交互性，中介性（基於时间的媒体与绘画和绘画的现象学相结合），探索社会 - 城乡 ，共感觉等。「她对科技的现代性并不感兴趣，而是对创造新想像维度的能力感兴趣。」 My work starts where the media intersect. I am not interested in the modernity of technology as such but in its capacities for creating new imaginary dimensions. Claudia Schmitz uses pneumatic sculpture, multidimensional drawing, moving image and food to explore new forms of sound, space and experience. She explores boundaries: Limits of perception, real and imagined barriers, liquid processes, body discourses. After several semesters of film studies, art history and mathematics in Mainz and Cologne, Claudia Schmitz studied at the KHM Cologne: diploma in media art. She is internationally active artist and has received many awards - including the scholarship for Korea (2017) from the state of Rhineland-Palatinate in cooperation with the MMCA National Museum of Modern and Contemporary Art Seoul and the Künstlerhaus Schloss Balmoral, Kunst Kommunikation DA Kunsthaus Kloster Gravenhorst (2017), the Futropolis Prize for the City of the Future (2014), Stiftung Künstlerdorf Schöppingen (2012) und (2014), AREnschede Artist in Residence, NL (2013) and received the Zontaprize Mainz 2018. In 2019 she will be in South Korea again for 3 months, dedicating her research to the Inner Korean border and the production of Hanji: Residency Gyodong Museum of Art, Jeonju. She composed film music and has been working as VJ (Live-Visual Jockey) under the name COCO HÖHN since 2005, which influences her engagement with video and space. --- ● Nicola L. Hein (DE) http://nicolahein.com/ 出生於德国的作曲家、吉他演奏家、即兴音乐家，他在波昂大学与美茵兹大学研习爵士吉 他、声音艺术、作曲、哲学，目前定居科隆。尼可拉‧汉是不断关注与探索新声音的音乐 家，并尝试将自身独特的背景内化於演奏中，他也制作互动式声音装置，其背後的美学也 与即兴音乐相关。其演奏足迹遍及欧洲、亚洲、非洲及北美。他获得许多补助计画，其中 包含歌德学院，瑞士Pro Helvetia、法国DICRéAM、Le Fresnoy等组织。曾受邀於美国哥 伦比亚大学、新加坡LASALLE艺术学院等讲座。其音乐作品於Clean Feed Records、Pata Records、Leo Records、FMR Records等唱片厂牌发行。从2014年他开始组织跨国交流音 乐演出系列Soundtrips NRW，创立柯隆的即兴与当代音乐组织IMPAKT。 Nicola L. Hein (*1988 in Düsseldorf) is a guitarist, composer, philosopher and soundartist. As a guitarist he is mainly concerned about the search for new sounds on his instrument. He plays electric and acoustic guitar with or without preperations and tries to find new ways of playing the guitar within the context of Free Improvised Music and Jazz. He plays the guitar with his hands and plectrum but also with a lot of different objects: screws, rulers, iron wool, violin bow, abrasive paper, magnets and many other objects which are part of his musical vocabulary. The result is his very own world of sounds, which is using the rich potential of the guitar as a creator of sounds. The manual creation is a very important character of this sound world, which never gets distorted by the use of electronic effects. As a composer he finds different ways of integrating philosophical ideas into music and to play music as a form of philosophy. In order to actualize itself the compositional work is always aimed at the improvising musician as a dialectic partner of the composition. From the interplay of these partners an aesthetic emerges that is based on the spontanity of the performance and the setting of aesthetic action spaces alike. As a sound artist he is developing different ways to project the musical ontology of Improvised Music onto different aesthetic rooms. This is done by creating instruments, installations and other ways of using the guitar, which use the musical ontology of Improvised Music as the center of the sonic practice but generate a lot of different sense structures that differ from the usual practice of Improvised Music (for example by creating a scenic sense layer etc.). He also creates sound installations which involve the recipient as a part of the work. The works encourage the recipient to make a special aesthetic experience with different sounds. The aesthetic of these sounds is inspired by the aesthetics of Free Improvised Music. As a philosopher he is interested in philosophy of music, epistemology, aesthetics and media theory. He wrote about the understanding of music based on theories from epistemology. Ideas from the philosophy of language (Wittgenstein, Heidegger, Derrida, Lyotard, Rorty) and skepticism (Sextus Empiricus, Nietzsche etc.) form to major sources of influence for his thoughts about music. The philosophical work is on the one side being carried our in the form of texts and on the other hand in form of aesthetical works in the realm of sound art. He studied jazz guitar, sound art/composition, philosophy and German philology at the Friedrich-Wilhelms Universität Bonn and the Gutenberg-Universität Mainz. Currently Visiting Scholar at Columbia University, New York City. 活动页面：https://www.facebook.com/events/392727331363477/ --

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