同上一篇 kelly也说他有修改一下(但是我也还不知道改在哪边) po给大家看，也可在硬碟内下载到 -----------大纲的分隔线-------- 媒介文化专题 (Seminar on Media Culture) Wednesday 9:00-12:00 胡绮珍 (Kelly Hu) [email protected] 本课程将重心放在探讨几个引起热烈讨论的媒体现象与议题： 1. Reality TV(中译为：实境节目) 的媒体文化: reality TV为逐渐普遍流行於欧美以及 全球各地（台湾也不例外），尤其受到广大年轻人喜爱的多元化的电视格式。什麽是 reality TV？涵括那些不同的类型？其崛起於西方的历史脉络为何？reality TV如何与监 控机制接合？reality TV 想要宣称与鼓吹怎样的「真实」？reality TV如何与改造与新 自由主义的自我规范／监督产生关联？它如何成为将普罗大众成为名人的电视机器？ reality TV的观众是否成为免费劳动者以及被收编成迷经济的一部份？ 2. 媒体与性／别：女性主义、後女性主义（post-feminism）与男性特质的体现：现代都 会女性慾望怎样的女性主义、新自由主义的工作与市场逻辑如何形塑现代女性的思考与实 践？身体与性的自我想像／慾望的遮掩与流动如何跟政策与社会伦理规范结合？时尚、风 格与品味如何被包装於其影像再现之中？现代年轻男性如何察觉与打造自己的身体与个人 气质？ 以上讨论将引导学生进一部思考: 1.台湾或亚洲其他各国reality TV 的文化生产与消费 接收。2. 美国／澳洲为中心的reality TV大量出现在Discovery 频道，而将之放在台湾 众多频道中意味着什麽？其如何跟全球在地接轨？3.台湾的有那些可以被归类为实境节目 ？其媒体机构的背景与在地文化脉络为何？4.对於台湾媒体，有那些性／别议题鲜少人提 及，但是你发现值得探讨的？5. 有哪些禁忌的性／身体议题是被遮掩或是污名化的？6. 台湾是否也进入後女性主义时代，那些大众媒体展现了後女性主义的实践？7.男性气质/ 身体打造的商业化於台湾的脉络下的发展为何？ 课程要求与评分方式 1. 课堂出席率、迟到早退与参与讨论的用心程度。若因故无法上课，请事先告知。若事 出突然临时无法上课，也请电话通知所办助理，请助理转告。此外，若不时有迟到状况将 影响期末成绩。(15%) 2. 各修课者须针对每周阅读材料做重点式摘要报告与回应（约1000字以内）。上课时须 针对阅读想法提出问题或抒发感想，并接受其他同学提问 3. 课堂导读分配回应（学期初分组）(15%) ＊因应阅读资料，於课堂中负责提出你/你所观察到相关特定的现象或文本供课堂讨论与 延伸思考，或补充说明背景资料。目的是希望同学能练习如何与课堂所指派的读本对话， 并能触类旁通，练习培养观点，并建立批判的思考取向。课堂导读同学须控制时间导读， 导读重点，提出阅读意见想法，留空间／时间跟大家交流。课堂导读小组也须负责问班上 其他修课者问题，并接受提问 (20 %) 4.期末报告︰发展你有兴趣的研究主题，写一篇期末报告，而此报告必须与课堂所教授过 的理论、概念或范围相关 (6,000- 8,000 字)。(50%) Week 1 (9/16) Introduction to the course Reality TV: an introduction Week 2 (9/23) Hill, Annette (2005) “The Rise of Reality TV”, in Reality TV: Audiences and Popular Factual Television, 14-40. 财 In class discussion: exploring Taiwanese local made reality TV programs and reality TV programs imported from western countries and Japan. Reality TV and surveillance Week 3 (9/30) 1. Couldry, Nick (2003) “ ‘Live’ reality and the future of surveillance”, Media Rituals: A Critical Approach, 95-114. 2. Jack Z. Bratich (2006) “ ‘Nothing Is Left Alone for Too Long’: Reality programming and Control Society Subjects”, Journal of Communication Inquiry 30(1): 65-83. Reality TV, celebrity, authenticity and unpaid labor Week 4 & 5 (10/7, 10/14) 1. Holmes, Su (2004) “All you’ve got to worry about is the task, having a cup of tea, and doing a bit of sunbathing”: approaching celebrity in Big brother”, in Understanding Reality Television, 111-135. 2. Collins, Sue (2008) “Making the Most out of 15 Minutes: Reality TV's Dispensable Celebrity” Television & New Media 9 (2): 87-110. 3. Hill, Annette (2005) “Performance and authenticity” in Reality TV: Audiences and Popular Factual Television, 57-78. 4. Miaoju Jian and Chang-de Liu (2009) “ ‘Democratic entertainment’, commodity and unpaid labor of reality TV: a preliminary analysis of China’s Supergirl” Inter-Asia Cultural Studies, 10(4): 548-567 Reality TV and self-fashioning economy Week 6 (10/21) Ouellette, Laurie and Hay James (2008) “Makeover TV: Labors of Reinvention”, Better Living Through Reality TV: Television and Post-welfare Citizenship, 99-133. Reality TV, interactivity, race, and the global format Week 7 & 8 (10/28,11/4) 1. Hasinoff, Amy Adele (2008) “Fashioning Race for the Free Market on America's Next Top Model” (2008) Critical Studies in Media Communication 25(3): 324 – 343. 2. Jenkins, Henry (2006) “Buying into American Idol: How we are being sold on reality television” in Convergence Culture: Where Old and New Media Collide, 59-92. 3. McMurria, John (2008)“Global TV realities, international markets, geopolitics, and the transcultural contexts of reality TV” in Reality TV: Remaking Television Culture, 179-204. Feminism, postfeminism and sexuality Week 9 &10 &11 (11/11,11/18, 11/25) 1. McRobbie, Angela (2007) “Postfeminism and Popular Culture: Bridget Jones and the new Gender Regime”, 21-39. 2. Hasinoff, Amy Adele (2009) “IT’S SOCIOBIOLOGY, HON! Genetic gender determinism in Cosmopolitan Magazine”, Feminist Media Studies, 9(3): 267 – 283. 3. Dubrofsky, Rachel E. (2009) “Fallen Women in Reality TV : A pornography of emotion”, Feminist Media Studies, 9(3) :353 – 368. 4. Allison, Anne (2000) “Public veilings and public surveillance: obscenity laws and obscenity fantasies in Japan”, in Permitted and Prohibited Desires: Mothers, Comics, and Censorship in Japan, 147-176. The mid-term presentation Week 12 (12/2) Class discussion on the final proposal (I) Masculinity and media representation Week 13 & 14 & 16 (12/9, 12/16, 12/23) 1. Darling-Wolf, Fabienne (2006) “The Men and Women of non-no: Gender, Race, and Hybridity” in Two Japanese Magazines”, Critical Studies in Media Communication 23(3): 81-199. 2. Feasey, Rebecca (2008) “Reality Television, ordinariness, exhibitionism, and emotional intelligence”, in Masculinity and Popular Television,106-123. 3. Hollows, Joanne (2003) “Oliver's Twist: Leisure, Labour and Domestic Masculinity in the Naked Chef”, International Journal of Cultural Studies 6(2): 229-248. 4. Miller, Laura (2006) “Male beauty work”, Beauty Up: Exploring Contemporary Japanese Body Aesthetics, 125-158. The week of discussion on the fieldwork Week 16 (12/30) In-class discussion: Talk about the process/the problem and share the experiences which you’ve encountered during your fieldwork The week of presentation Week 17 (1/6) Final paper presentation Week 18 (1/13) Final paper due. 参考书目 Allison, Anne (2000) Permitted and Prohibited Desires: Mothers, Comics, and Censorship in Japan, University of California Press. Bratich, Jack Z. (2006) “‘Nothing Is Left Alone for Too Long’: Reality Programming and Control Society Subjects”, Journal of Communication Inquiry 30(1): 65-83. Collins, Sue (2008) “Making the Most out of 15 Minutes: Reality TV's Dispensable Celebrity”, Television & New Media, Vol. 9 (2): 87-110. Couldry, Nick (2003) Media Rituals: A Critical Approach, Routledge. Darling-Wolf, Fabienne (2006) “The Men and Women of non-no: Gender, Race, and Hybridity” in Two Japanese Magazines”, Critical Studies in Media Communication 23(3): 81-199. Dubrofsky, Rachel E. (2009) “Fallen Women in Reality TV : A pornography of emotion”, Feminist Media Studies, 9(3) :353 – 368. Feasey, Rebecca (2008) Masculinity and Popular Television, Edinburgh University Press. Hasinoff, Amy Adele (2008) “Fashioning Race for the Free Market on America's Next Top Model” (2008) Critical Studies in Media Communication 25(3): 324 – 343. Hasinoff, Amy Adele (2009) “IT’S SOCIOBIOLOGY, HON! Genetic gender determinism in Cosmopolitan Magazine”, Feminist Media Studies, 9(3): 267 – 283. Hill, Annette (2005) Reality TV: Audiences and Popular Factual Television, Routledge. Hollows, Joanne (2003) “Oliver's Twist: Leisure, Labour and Domestic Masculinity in the Naked Chef”, International Journal of Cultural Studies 6(2): 229-248. Holmes, Su (2004) “All you’ve got to worry about is the task, having a cup of tea, and doing a bit of sunbathing”: approaching celebrity in Su Holmes, Deborah Jermyn (eds.) Big brother”, in Understanding Reality Television, 111-135. Jenkins, Henry (2006) Convergence Culture: Where Old and New Media Collide, New York University Press. Klinger, Babara (2006) Beyond the multiplex: cinema, new technologies and the home, University of California Press. McMurria, John (2008)“Global TV realities, international markets, geopolitics, and the transcultural contexts of reality TV” in Susan Murry and Laurie Ouellette (eds.) Reality TV: Remaking Television Culture, 179-204. McRobbie, Angela (2007) “Postfeminism and Popular Culture: Bridget Jones and the new Gender Regime”, 21-39. Miller, Laura (2006) “Male beauty work”, Beauty Up: Exploring Contemporary Japanese Body Aesthetics, University of California Press. Ouellette, Laurie and Hay James (2008) Better Living Through Reality TV: Television and Post-welfare Citizenship, Blackwell Publishing. 建议西文期刊︰Cultural studies, International Journal of Cultural Studies, New Media & Society, Television& New Media, European Journal of Cultural studies, Critical Studies in Mass Communication, The Journal of Communication Inquiry, Inter-Asia Journal of Cultural studies 中文期刊︰新闻学、台湾社会研究季刊、文化研究 --

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