※ 引述《waowaowao (边缘的界限...)》之铭言： : 演　　讲　　公　　告 : 主讲人：曾蓝莹教授（美国耶鲁大学艺术史系助教授） : 题　目：装饰艺术与文化符号：从汉代的博局纹镜谈起 : 时　间：民国九十三年六月四日（五） : 上午10:00－12:00 : 地 点：台大文学院会议室 : 欢迎莅临参加 Lillian Lan-ying Tseng B.A. National Taiwan University M.A. National Taiwan University Ph.D. Harvard University Assistant Professor Chinese Art Professor Tseng received her Ph.D. from Harvard in 2001, and joined the Yale faculty in 2003. She has published a number of articles concerned with divers e cultural issues in Chinese art, such as history and memory, visual replicat ion and political persuasion, pictorial representation and historical writing , and the interchangeability of the self and the other. She is currently at w ork on a book tentatively entitled Picturing Heaven: Visibility and Visuality in Early China. Publications In Scholarly Volumes "Visual Replication and Political Persuasion: The Celestial Image in Yuan Yi's (486-526) Tomb," in Between Han and Tang: Art and Material Culture in a Trans formative Period, ed. Wu Hung (Beijing: Cultural Relics Press, forthcoming 200 4). "Retrieving the Past, Inventing the Memorable: Huang Yi's (1744-1801) Visit to the Song-Luo Monuments," in Monument and Memory, Made and Unmade, ed. Robert Nelson & Margaret Olin (Chicago: University of Chicago Press, 2003), 37-58. "Pictorial Representation and Historical Writing: Zhao Wangyun's (1906-1977) V isual Reports on Rural North China for L'Impartial," in When Images Speak: Vis ual Representation and Cultural Mapping in Modern China [Hua zhong you hua: ji ndai Zhongguo de shijue biaoshu yu wenhua goutu], ed. Ko-wu Huang (Taipei: Ins titute of Modern History, Academia Sinica, 2003), 63-122. "Interchange of the Self and the Other: Wu Zuoren's (1908-1997) Visual Represe ntation of the Northwestern Frontier," in Regions and Networks: One Thousand Y ears of Chinese Art [Quyu yu wangluo: jin qiannian lai Zhongguo meishushi yanj iu guoji xueshu yantaohui lunwenji], ed. Pao-chen Chen (Taipei: Institute of A rt History, National Taiwan University, 2001), 669-700. "Myth, History and Memory: The Modern Cult of the Simuwu Bronze Vessel," in Ch inese Culture Centenary [Zhonghua wenhua bainian], ed. Kuang-nan Huang (Taipei : National Museum of History, 1999), 717-767. In Journals "Representation and Appropriation: Rethinking the TLV Mirror in Han China," Ea rly China (forthcoming 2004). "Divining from the Game Liubo: An Explanation of a Han Wooden Slip Excavated at Yinwan," China Archaeology and Art Digest 4, no. 4 (2002), 55-62. "Workshops, Repertoires and Regional Visual Traditions: Traces of the Han Car ved Tomb at Anqiu in Shandong," Taida Journal of Art History [Meishushi yanjiu jikan] (Taipei), 8 (2000), 33-86. "An Explanation of the TLV Diagram for Divination from Yinwan," Wenwu (Beijing ), 8 (1999), 62-65. "Theory and Practice of Dong Qichang's (1555-1636) Calligraphy," Study of the Arts [Yishuxue] (Taipei), 6 (1991), 75-118. --

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