※ 引述《julians (Sisiphus)》之銘言： : 這樣來說"spots of time"可能有兩種讀法. : 一種是在Norton版"Tintern Abbey"下面的annotation: : spots of time這邊指的是過去現在與未來的連接, : 言說人的經驗的完整性(unity but not closure)跟可能性(the possibility of future); : 但是這樣的完整性或是可能性是根基於線性史觀之上, 0. Hegel. 主奴辨證. and　馬克思's 為物史觀. : 我相信如果是後現代的思考家, : 甚至是Lukacs, Jameson等人會很有興趣去批判一下the political unconscious of : teleology in Wordsworth. : (因為Jameson一方面談問Lukacs怎樣談Sir Walter Scott的歷史小說來談論 : 中產階級怎樣透過這樣過去現在未來的時間性來證成中產階級現在存在的歷史必然性, : 一方面藉此來批判美國科幻小說的興起與主體建立之關係) 1. Jameson, Fredric. "Nostalgia for the Present." Postmodernism, or the Cultural Logic of Late Capitalism. * Influential, innovative in postmodern and cultural studies. Borrowing from the Marxist perspective and such French leading thinkers as Lacan and Deleuze, Jameson provides a comprehensive and innovative overview and survey of the postmodern culture as is articulated and embodies in almost all levels of culture, including philosohpy, language, architecture, inter alia. But the difficutly of Jameson's language can lead his readers to the garden of the forking path. XD : 另一方面, : 縱使這樣past-present-future的關係一方面可以透過記憶連接, : 但是所謂的記憶也把時間的circularity帶出來, : 畢竟, as Cathy Caruth在談論traumatic experiences所言, 2. Caruth, Cathy. _Explorations in Memory_ * There Caruth addresses the temporality and spatiality of traumatic experiences and memories : 我們看一下Abrams的描述: : Neoclassis writers, [...], viewed human beings as limited agents who ought : to set themselves only accessible goals. 3. Abrams, M. H. "Neo-classicsim" _A Glossary of Literary Terms_. * I believe every student in literay studies must have one. XD On Sublme 4. Burke, Edmund. "Enquiry into the Sublime and Beautiful." Norton Anthology. 5. Kant, Immanuel. _Critique of Judgment_. * Two over-arching articles in the study of the concept of the sublime. Thought basically philosophical, their language and smoothness of thinking promise the access to pleasure and insight in reading. : 人總始面對自然渺小, : 人還是有那一點作為人的可能. : 不然Wordsworth就無須在哀悼之後還透過experience來聊已慰藉. : multitude/solitude讓我想到Baudelaire的描述"Multitude, solitude" : 這樣跟Wordsworth基調恰恰相反似乎也反映了從浪漫到現代主義之間的分野, : 而因此,Benjamin在談論Baudelaire之時所強調, : Hugo is not a flaneur (and Hugo is a Romancist)的原因也更加清楚了. 6. Baudelaire, Charles. _Paris Spleen_. * Baudelaire is regarded as the forerunner of modernity. Hence, he is intensively studied by Benjamin and even by Foucault. 7. Benjamin, Walter. "Flaneur." _Charles Baudelaire: A Lyric Poet in the Era of High Capitalism_. * Poetic, philosophical, enigmatic. Benjamin has the difficulty and challenge a reader can expect from his/her writer. But the insight and observation provided by Benjamin are just worth the try. 希望這樣有幫助 ^^ -- 縱然陽光可以帶給人們希望 但也要心中充滿希望 才看得到陽光!! --

※ 發信站: 批踢踢實業坊(ptt.cc) ◆ From: 140.122.239.21 ※ 編輯: julians 來自: 140.122.239.21 (04/26 21:42) ※ 編輯: julians 來自: 140.122.239.21 (04/26 21:56)