※ 引述《cloning (姿勢份子)》之銘言： : 標題: Re: [情報] Jean-Claude Risset作品"Sub" 互動式밠… : 時間: Wed Dec 8 16:39:29 2004 : : ※ 引述《orange (orznge)》之銘言： : : 強~烈推薦,強烈推薦,為了看這個,在電腦裡安裝quicktime絕對是值得的 : 你如果想要SUD的詳細英語解說.我再貼給你. : ◆ From: 220.143.51.210 : 推 uzes:哪邊買啊？ 140.109.177.81 12/08 我幫您問看看還有沒有庫存. : 推 orange:好,我要~ 那就先謝了~ 140.109.113.120 12/08 SUD 1985-23'35 "Sud" was commissioned by the French Ministry of Culture at the request of the Groupe de Recherches Musicaies(GRM) of the institut National de I'Rudiovisuel (INR).The piece was realized at GRM. "Sud" is based chiefly on sounds in the Calanques range at Marseilles.These sounds were processed by computer in Studio 123 at GRM INR.I would like to thank Benedict Maillard and Yann Geslin who showed me how to use their impressive set of computer programs.My thanks also to Daneil Teruggi for intoducing me to Studio 116 where "Sud" was mixed. The mixing elements also included sequences synthesized by computer at Marseilles using the MUSIC V program(Faculte des Scienice at Luminy and Mechanics and Acoustics Lab of CNRS).In the first moments(and for time to time thereafter),"Sud" presents itself as a sound photograph-a "phonograph", to borrow Francois-Bernard Mache's word-it alludes to Luc Ferrari,Kunt Victor, Michel Redolfi,musician of the sea,Georges Bceuf,and his abysses,and Francois Bayle's"oiseau chanteur".The piece uses a small number of sound sequences- recordings of the sea,insects,birds,wood and metal chimes,brief "gestures" played on the piano or synthesized by computer-which I multiplied by processing them in various ways(modulating,filtering,coloring,reverberating, spatializing,mixing and hybridizing0.Cezanne wanted to"unite feminine curves with hilly shoulders".Similarly,hybrid synthesis allowed me to work "in the very bone of nature"(Henri Michaux),to produce chimeras,hybrids merging birds and metal,or wood and sea sounds.I used this procedure mainly to transpose profiles and flows of energy.The pulse of recorded sea sounds is thus imprinted on certain other sounds,whereas at other times sounds reminding of breaking wavesare unrelated to the sea. A pitch scale(G-B-E-F Sharp-G sharp),first presented with synthetic sounds,is later used to color various sounds of nature origin.In the last part the scale becomes a geniune harmonic grid which resonates like an aeolian harp to birds and waves sounds.The manifold sounds produced by computer can be located on a diagram resmbling a family tree:their layout in time brings serveral rhythmic levels into play and impires what might be called a logic of fluxes. "Sud" comprises three sections: 9'45. The sea in the morning.The opening profile permeates the entire piece. Waking birds, from isolated peeps risingto a stretto. Harmonic clouds. Hybrid sounds emerge from the low frequencies. Heat.Luminy,at the foot of Mount Puuget:real and imagined insects and birds. 5'49.A call-like a bell buoy animated by the sea. Trepidations,drifts,north wind,tempest,telluric fire,or inner storms? 8'00 The sea's profile becomes increasingly colored:inoise turns into strident pitch. Composite sound in motion. The harmonicgrid emerges and vibrates under programmed impluses,birds raga,sea waves. Ebb tide :the spiash of the surf. -------------------------------------- 呼!打完字了.不過裡頭有些怪怪的字.可能解說冊在校對時沒找出來.如果有怪字. 請註明一下.我看是我打錯還是他就這麼寫. -- Love is something we spend our entire lives looking for, and sometimes it even drives us to end our lives... ----Rob Dougan --

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