Dorian scale for guitar Dorian 調式音階 The Dorian scale, or mode, is the second of the seven musical modes. It is similar to the natural minor except for the raised sixth. The Dorian scale is the minor scale that appears when a major scale is started from the second note (second scale-degree). Thus, a C major scale played from "D" is a D Dorian scale. This is why the term "mode" is more appropriate than "scale". The D Dorian mode is the same as a C major. So what's the difference? There is no difference; it's the chords that create the magic. Playing a D Dorian scale over a C major chord will sound exactly like playing a C major scale (because they are identical). However, playing a D Dorian scale over a D minor chord will sound "Dorian". Intervals: 1--½--1--1--1--½--1　　( 1 2 b3 4 5 6 b7 1 )　( 2 3 4 5 6 7 1 2 ) Chord fit: minor triads, m7, m9 　　 Phrygian scale for guitar Phrygian調式音階 The Phrygian scale, or mode, is the third of the seven musical modes. It is similar to the natural minor except for the lowered second. The Phrygian scale is the minor scale that appears when a major scale is started from the third note (third scale-degree). Thus, a C major scale played from "E" is an E Phrygian scale. This is why the term "mode" is more appropriate than "scale". The E Phrygian mode is the same as a C major. So what's the difference? There is no difference; it's the chords that create the magic. Playing an E Phrygian scale over a C major chord will sound exactly like playing a C major scale (because they are identical). However, playing an E Phrygian scale over an E minor chord will sound "Phrygian". Intervals: ½--1--1--1--½--1--1 　　( 1 b2 b3 4 5 b6 b7 1 )　( 3 4 5 6 7 1 2 3 ) Chord fit: Minor triads, m7 　　 Lydian scale for guitar Lydian調式音階 The Lydian scale, or mode, is the fourth of the seven musical modes. It is similar to the major scale except for the raised fourth. The Lydian scale is the scale that appears when a major scale is played with the fourth note (fourth scale-degree) as the root. Thus, a C major scale played from "F" is an F Lydian scale. This is why the term "mode" is more appropriate than "scale". The F Lydian mode is the same as a C major. So what's the difference? There is no difference; it's the chords that create the magic. Playing an F Lydian scale over a C major chord will sound exactly like playing a C major scale (because they are identical). However, playing an F Lydian scale over an F major chord will sound "Lydian". Intervals: 1--1--1--½--1--1--½　　( 1 2 3 #4 5 6 7 1 )　( 4 5 6 7 1 2 3 4 ) Chord fit: maj7, maj7#11 　　 Mixolydian scale for guitar Mixolydian調式音階 The Mixolydian scale, or mode, is the fifth of the seven musical modes. It is similar to the major scale except for the lowered seventh. The Mixolydian scale is the scale that appears when a major scale is played with the fifth note (fifth scale-degree) as the root. Thus, a C major scale played from "G" is a G Mixolydian scale. This is why the term "mode" is more appropriate than "scale". The G Mixolydian mode is the same as a C major. So what's the difference? There is no difference; it's the chords that create the magic. Playing a G Mixolydian scale over a C major chord will sound exactly like playing a C major scale (because they are identical). However, playing a G Mixolydian scale over a G major chord will sound "Mixolydian". Intervals: 1--1--½--1--1--½--1　　( 1 2 3 4 5 6 b7 1 )　( 5 6 7 1 2 3 4 5 ) Chord fit: 7th, 9th, 13th 　　 Locrian scale for guitar Locrian調式音階 The Locrian scale, or mode, is the seventh of the seven musical modes. It is similar to the natural minor scale except for the lowered second and fifth. The Locrian scale is the minor scale that appears when a major scale is played with the seventh note (seventh scale-degree) as the root. Thus, a C major scale played from "B" is a B Locrian scale. This is why the term "mode" is more appropriate than "scale". The B Locrian mode is the same as a C major. So what's the difference? There is no difference; it's the chords that create the magic. Playing a B Locrian scale over a C major chord will sound exactly like playing a C major scale (because they are identical). However, playing a B Locrian scale over a Bmb5 chord will sound "Locrian". Intervals: ½--1--1--½--1--1--1　　( 1 b2 b3 4 b5 b6 b7 1 )　( 7 1 2 3 4 5 6 7 ) Chord fit: m7b5 Blues scale for guitar 藍調音階 The blues scale is similar to the minor pentatonic scale, but with an additional lowered fifth. The lowered fifth, also known as the "blue note", is essential in blues music. Ex: C blues scale consists of C, Eb, F, Gb, G and Bb. Intervals: 1½--1--½--½--1½--1　　( 1 b3 4 b5 5 b7 1 )　( 6 1 2 b3 3 5 6 ) Chord fit: 7th chords, m7 -- 火是搖滾，槍是吉他！ 我要從我的吉他彈出搖滾的火燄， 讓那些冰冷的心熊熊的燃燒！！ Ｆｉｒｅ　Ｇｕｎｚ 一條　誠 http://www.wretch.cc/album/shin696 --

※ 發信站: 批踢踢實業坊(ptt.cc) ◆ From: 122.123.138.253 ※ 編輯: shin696 來自: 122.123.138.253 (08/28 11:53)