: 我們Mariah女皇終於出來啦 : ..... : 我只能簡單說 : 實在是在現場聽真是太迷人啦 : 尤其是在名聞遐邇的麥迪遜 : 效果真的是不賴 先有了一篇好評 不過因為牧師沒來停唱FLAB的事寫得很細 說她脾氣不太好 Newsday Review: Mariah hits the Garden, just like that // 11:50 PM EST Updated by Lynn Appearing on a highly stylized, Art Deco stage set, Mariah Carey kicked off her sold-out concert Wednesday night with "It's Like That," from her blockbuster new album, "The Emancipation of Mimi." Clearly, one thing Carey has been emancipated from is her clothes. 紐時覺得還好..... (．＿．?) <---這是巡演以來唯一的一篇負面報導吧... 大致上是說她服裝多 歌唱太花沒有熱力(會嗎?每次台下都好吵)等等 New York Daily News Review: Mimi is so-so // 4:21 AM EST Updated by Lynn She has the most athletic voice of her generation, able to leap octaves in a single bound. But at Mariah Carey's rare Madison Square Garden concert last night, she proved yet again that force and flexibility in no way guarantee emotional depth or connection. In her usual style, Carey approached each song as a rigorous exercise, bending and stretching notes extravagantly, elaborating each melody with as many ornate phrases and fancy filigrees as she could conceive. Essentially, Carey was doing with her voice what Madonna does with her body. Carey meant such moves to make up for the fact that, unlike most modern divas, she doesn't dance. She doesn't even move with much grace. But at least she poses with a certain campy charm. Long attuned to modern trends, Carey made sure that last night's show wasn't just about music. She had a passel of backup dancers to shimmy and shake, a deejay to fiddle around between numbers, and enough costume changes to fill a segment on "Project Runway." Unfortunately, such distractions often wound up harming the show's pace. Seldom did Carey perform more than two or three numbers before vanishing backstage, while DJ Clue, or some video backdrop, carried the day. The deejay motif carried over into the songs. Perhaps nervous about her age (36), Carey put even more youthful hip-hop inflections into her music at this show than on her CDs. Both Jay-Z and Sean (Diddy) Combs showed up as guests. But the style wasn't always flattering, often slowing the beat and flattening Carey's already narrow melodies. Songs like the opener, "It's Like That," made such severe concessions to the beat, there wasn't much room left for the tune. By contrast, Carey's vocals certainly showed range. The woman can hit most any note on the scale. The deeper question is, should she. On hit after hit (from "Dreamlover" to "Honey"), Carey threw her voice around with the giddy abandon of a crazed seal leaping through hoops. It's a supremely influential approach. "American Idol" would be unimaginable without it. But for all her physical dynamism, Carey in concert generated no heat. ______________________________________________________________ Source: New York Daily News -- 　　　　　只是一個介紹歌手中島美雪的部落格 　　　　　　　　　　　　　　http://blog.yam.com/honkwun --

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