10 Questions. Japan's best-known contemporary author has seen his surreal and whimsical novels translated into dozens of languages. Haruki Murakami will now take your questions. Q:What's your favorite book? Sarosh Shaheen OTTAWA, CANADA A:The Great Gatsby. I translated it a couple of years ago. I wanted to translate it when I was in my 20s, but I wasn't ready. Q:How has the distance-running affected you as a writer? Pallavi Dixit MINNEAPOLIS, MINN. A:You need two things to write a big book: concentration and endurance. Running long distances gives me the power of endurance. Q:What sneakers do you run in? Sara Ivry, NEW YORK CITY A:I don't stick to one brand. Now I'm using Nike- but the Nike people gave them to me. Q:To what extent do you see yourself as a Japanese author, as opposed to just an author? Daniel Burke, CHICAGO A:I'm Japanese writer. I was born in Japan and I live mainly in Japan. I think in Japanese and I write in Japanese. And, still, I look at things globally. For instance, my characters like tofu a lot. Let's say that a Norwegian reader reads that and thinks, "That guy likes tofu." But I don't know if he knows what tofu is! Still, he can understand what the [character] feels. Q:How do Western culture references affect your stories? Seth Satterlee, NEW ORLANDS A:When I write that my character is cooking spaghetti for lunch, some Western readers say it's strange: "Why is a Japanese guy cooking spaghetti for lunch?" And when a character listens to Radiohead while driving, some poeple will say he's too Westernized. But that's nature to me. Q:Food is significant in your novels. What's your ideal meal? Candice Cho, WASHINGTON A:My favorite meal is when you have no idea what to cook and you open the refrigerator and find celery, egg, tofu and tomato. I use everything and make my own dish. That is my perfect food. No planning. Q:Why has your writing found such an international audience? Jos Diaz, NEW YORK CITY A:I have no idea. But style is very important. If prose has a natural rhythm it won't be spoiled by translation. Q:How had jazz influenced your writing? Jeremiah Boydstun MINILANI, HAWAII A:I owned a jazz club and was listening to jazz every day from morning to night. I appreciate the sense of rhythm and improvisation. A good musician doesn't know what's going to happen next. It's spur of the moment. When I write a novel or story, I don't know what is going to happen next. Q:Why do you tell stories that have magical elements? Adam Pelavin RIVERSIDE, CALIF A:I believe that the magic and power of a story can encourage and facinate you. In prehistory, outside the cave it was dark, but inside they had a fire and somebody was good at telling stories. Every time I write, I think of the cave. We are one group, outside it's dark and wolves are howling, but I have a story to tell. Q:Can you elaborate your forthcoming novel? Adrian Comeau HALIFAX, CANADA A:I've been writing that book for close to two years and it's going to be the biggest book I've ever written. All my books are weird love stories. And this book is a very long, weird love story. － 《TIME September 15, 2008》 --

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