原文連結： 　http://0rz.tw/013Le 底下節錄的是關於新專輯收錄歌曲的部份(os:我也想當音樂雜誌編輯) "Violet Hill": One of the strongest of the new songs, the band is considering giving it away as a special promotion in coming weeks and then leaving it off the album. Opening with a jagged distorted guitar riff, the song announces a new template: The stalking, bluesy beat fits nicely with Martin's earthy vocals and plaintive lyrics: "If you love me, won't you let me know?" "42": The fact that the band is considering this song as the album's first real single underlines how far they're willing to a stray from their formula: It's an elaborate three-part piece, with swirling pianos, strings and beat loops that build to an uptempo climax, with some seriously stoner lyrics: "Those who are dead are not dead/They're just living in my head." "Yes": Here, Martin's vocals take center stage like never before: Sounding more aggressive and strong than ever, they sit on top of an irresistible North African string-and-tablas arrangement and ache more convincingly than all the lilting falsetto in the world: "If you'd only, if you'd only say 'Yes'/I'm just so tired of this loneliness." It's the band's freshest song since "Parachutes." "Death and All His Friends": A straight-up rock tune with a riff that sounds ripped from the Doobie Brothers, piano, and, in the last section, flute. "Cemetaries of London": Notice the thematic pattern emerging from the title and lyrics? This one, with an electro loop and hand claps, doesn't sound as glum as its title portends. "Life in Technicolor": Acoustic-guitar driven and jangly, this is one of the few tracks that seems built from the Coldplay template of songs like "Don?t Panic," only a bit more, well, panicked: "Baby it's a violent world," Martin sings. "Chinese Sleep Chant": Opening with a jagged guitar riff, the song quickly settles into a propulsive dance-track loop with low-mixed, angelic vocals. "Strawberry Swing": This is one of several potential album cuts with Afro-pop and high-life influences: Here, distortion-free finger-picked guitars which sound straight out of Mali mix with a heavy bassline and psychedelic synths. "My Mum comes from Zimbabwe, so I spent a lot of time there," says Martin. "I used to work in a studio where people played that." "Reign of Love": A lovely layered composition of piano, bass and organ that backs fairytale lyrics. --

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