Part III Now, we will show the aesthetic form of calligraphy. The teacher, sory, will demonstrate to all of you. As we showed you before, we think that every word, whether be written by English or Chinese, has the rhythm. To combine with both rhythm and movement, the calligraphy has developed different type of forms. First of all we are going to introduce is "蘭亭集序", which is written by 王羲之 in 晉 dynasty. One day, 王羲之was drinking wine and writing poetry with his friends. They all felt very delighted. At that moment, 王羲之 got drunk already. Taking of advantage of getting drunk, he wrote the 蘭亭集序 which was famous for the ancients and contemporary times. Because of getting drunk, his work, on the condition of without any stress, made us feel leisurely and elegant. Second, I will show you another form. We call it, 張猛龍碑, which present the angle very obviously. Such as this stroke, I write it very sharply. It's one of style of 張猛龍碑. Next one is 鄭文公, these form will present the words very natural and powerful. For example, this stroke, I prefer to write it with power than lack of strength. 黃庭堅開張 I will show you what's the different between the 九成宮 and 孔子廟堂. Part IV When we are writing, the ink has played an important role for our work. For instance, if there isn't enough ink (add too much water into the ink), the word will become lifeless; however, there is too much ink, the words will seem too heavy. In fact, whether the Chinese calligraphy or the Western drawing, they just expressing the same idea in different ways. (還要與學姐再討論細部…) Actually, the present mood and one's character will affect the way of writing calligraphy. Such as this stroke, I write it very quickly, it will present that I am more anxious or impatient. On the contrary, I write this stroke very smoothly, it will present that I am more elegant or patient. Combined every key points what we talked before, trying to imagine and copy the skills, then write down the memory at once. 還有一些沒有全部寫完，等下和學姐討論以後會再po上來 :) --

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