The Fiorentina possesses a precise identity in phase of formulation of the maneuver. The square is good and prepared it is in developing the ripartenza attack that that one maneuvered. The gigliati ones know to read the tactical situation of field in uniform way and succeed are to counterattack with more players who to show rather fluid flows of game when it is necessary to head at the elaborated construction. In phase of formulation the objective of the square is that one to earn the half zone field with the ball in possession of one of the lateral ones of defense. In order to catch up this objective the gigliata square can opt for the giropalla developed from the four defenders or on what it includes also the participation of the two centrocampisti center them. In the case in which the opposing attitude it prevents to the square viola to easily earn meters with the giropalla to the height of the rear unit and Ujfalusi and Pancaro (or Pasqual), also having the sphere, they are "sluices" and consequently possibility to play for the passage of vertical escape towards the tip that on moves encounter in order to make from "wall" and to unload on the centrocampisti centers them, here that comes preclusa they it Brocchi on the skillful center and Donadel on the left center is lowered leggermente and been ready to make from support in order to go, with rapidity, to the search of the lateral one on the opposite side of the field. Some of the typical flows of game develop you from the square viola in phase of formulation are graphically represent to you in figure 1, When viceversa, the pressing opposing, it does not concur with the square viola to develop the own phase of construction with the ball to earth here that the gigliati ones are usual to jump the centrocampo opposing with the long launch for Tones. On the vertical long escape to support of centrattacco viola moves Pazzini (or Bojnov) with the lateral ones of centrocampo (Flower on the right and Jorgensen on the left) that they are raised in order to give way to the square of being able to develop the contropiede articulate. Online general, it is possible to assert that 6 players + Frey are deputies to develop the phase of construction turn to the encircling, while Flower, Pazzini, Toni and Jorgensen are the 4 references () at which the Fiorentina it heads in the case is necessary to develop the phase of construction in vertical. Obviously such general rule is not worth when the Fiorentina leaves again in contropiede. In such cases also one of the two centrocampisti centers them (Brocchi in particular) can become part in offensive projection if the opportunities exist in order to make it with effectiveness. Like saying, one of objects you of the phase of construction viola is that one to carry the lateral defenders in possession ball, to the height of the half line field. When the Fiorentina succeeds to catch up such scope the square can move according to pretidy distances in order to prepare the rifinitura. In a context similar to that one shown from figure 2, with Ujfalusi in possession ball, one of the two tips (that nearest one the ball owner) moves encounter while the other acts as from advanced reference. To the same one time the lateral one of centrocampo on the strong side (in the example Flower) ransom inner between the opposing lines. In such within to the owner the following solutions of game are shown: 1 passage in vertical for the second tip (n.29 Pazzini) 2 passage to scavalcare for the advanced reference (n.30 Tones) 3 vertical passage in for the lateral centrocampista between the opposing lines (n.10 Flower) 4 passage for the centrocampista inside to support (n.32 Brocchi) 5 passage of drainage for the defender centers them (n.27 Of Loreto) If Ujfalusi chooses option 5 the Fiorentina it goes to giropalla the left back or the vertical construction in for Tones (the two solutions in are antite and the opportunity to develop some rather than the other depends on the attitude and the pressing opposing). If Ujfalusi chooses option 1 and plays the vertical passage for Pazzini, Flower moves to support of the second gigliata tip and after to have some received the drainage it can (you see figure 3): 1 to try the conclusion from outside (if the distance of the player from the door is such to consider the possibility to pull); 2 to play leaking for before the tip that attacks the depth; 3 to laterally serve the external centrocampista on the side weak person who to second of the tactical context can decide if to remain wide or to tighten towards the inside. If Ujfalusi renders account that not is the presupposed ones in order to go to develop to the deriving combinations dall' option 1 (in particular when the movement of Pazzini and that one of Flower are not coordinates to you here) that the gigliato defender can force option 2. In this case the lateral one ceko goes to try Tones with Pazzini, than, leaving in rear position leggermente regarding the reference tip, it has the possibility to act as from support in order to receive of the side and to try the conclusion in door (fig.4). The option n.3 (direct passage for Flower that has cut between the lines) does not come mostly used of frequent from the Fiorentina and however when the lateral defender finds to the inside of the opposing half field. In this Ujfalusi situation it has way of proporsi in the space and to be able to receive a passage of return of Flower or the vertical passage of shown Brocchi therefore like from figure 5. Obviously the two described developments poc' indeed are correlate one to you the other and employee from the distances and the times of insertion of the gigliato defender. Finally, in case Ujfalusi is not in condition for playing in ahead here that for the lateral defender gigliato there is the possibility to serve Brocchi to support inner. The centrocampista centers them of right of the chessboards viola once received the sphere has the opportunity of: 1 to develop the left maneuver towards for means of an express horizontal sliding or serving the outside on the side weak person; 2 to verticalizzare for the reference tip center them for the developments already evidence you from the description correlated to figure 4; 3 to verticalizzare for Flower that it has the opportunity to close the combination second represented how much from figure 6. Obviously those represent to you graphically are only some examples between the combinations of chain practiced from the gigliata square and however feasible with the module 4-4-2. A valid alternative can is that one represented from figure 7 that the right defender sees lateral to serve the tip that moves encounter while the centrocampista centers knows them them to support and that lateral one moves in the space in order to receive the leaking passage of the companion. This solution, used only sporadically from the Fiorentina that does not possess in Jorgensen and Fiore two exteriors of extraordinary race, is applicable when the lateral centrocampista "is crushed" towards the tips and appears easyr to receive ball in lateral zone that in zone they does not center because of the meager space to disposition for the inner smarcamento. For that it concerns instead the positioning of the external centrocampista on the side weak person is possible to evidence for this last one, three various zones of reception: the 1 next lateral zone to the line of deep field; the lateral zone to flank of the line white woman; the inner zone between the opposing lines. The gigliata square, that she has a single player (Pasqual) with great predisposition to the race, usually ago to move the own lateral centrocampisti in the zones described to points 2 and 3 of the directory. With the outside that receives the change game along the lateral line (zone 2) is the external defender who knows them in superimposition for being able to create conditions of numerical superiority. If viceversa the lateral centrocampista carries out a cut to usually receive between the opposing lines the maneuver it develops with the search of the depth from part of attacking. The choice of the zone where to go to receive and consequently the type of cut to carry out (to receive/in depth) depends on the tactical situation and the characteristics of the player. In analyzing the offensive phase of the square viola is possible to evidence: the 1 effort made from the technician in order to design those flows of game in a position to exalting the characteristics of the single players; 2 the cure with which the players offensives they try to dislocate itself on various lines so as to to be able itself to move in co-ordinate way originating several combinations concatenate in which, to second of the development that takes the maneuver, every forward can act as is from side that gives support or support; 3 the application with which the square it tries to optimize the positive transition. --

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