作者glare (穷搅和)
看板WongKarWai
标题卫报2046影评
时间Fri May 21 18:23:30 2004
今天稍微在网路上找了一些首映场後的观影经验或评论
似乎不是 呃 很理想 (或许包括我在内的许多人 都对王家卫有着近乎苛求的期待)
以下是英国卫报的评论 四颗星评价 满分五颗
简言之 2046是花样年华的延续与变奏
对了 王菲饰演旅馆老板女儿 与梁朝伟一起合写小说的过程中发展出感情
不是什麽未来的机器人
Four stars out of five:
"2046
Cannes festival
Peter Bradshaw
Friday May 21, 2004
The Guardian
Four years ago in Cannes Wong Kar-Wai had a smash hit with his romance
In The Mood For Love, about a man and a woman, played by Tony Leung and
Maggie Cheung, having a melancholy, platonic affair in parallel to the
adultery of their spouses.
A year later he presented his enigmatic short film In The Mood For Love 2001,
showing the same characters in modern Hong Kong. His sensationally lush and
languorous new film, 2046, is clearly an extension of this drama, unfolding
on a canvas of sometimes almost glutinous richness - part sequel, part
variation on a theme - with a startling narrative like something by Dennis
Potter.
Leung plays Chow, a rackety journalist and pulp-fiction author in sixties
Hong Kong, living in a cheap hotel and escaping the painful memories of a
failed liaison.
He's a raffish bachelor with the cruelty of a natural heartbreaker and a
knack of inspiring love in beautiful women while being too wary and worldly,
or just too shallow, to return their passion. Chow's emotional life is
displaced into a sci-fi novel he is writing called 2046, a Kubrickian
fantasy of a hi-tech global train network with a service called 2046 in
which people can reclaim their memories.
The action is interspersed with Chow's futurist vision with characters in
fictional guises. It looks sensational, though sometimes resembling the kind
of luxury goods commercial that Wong Kar-Wai has made (for BMW cars).
Meanwhile, Chow indulges a passion for the women who live in Room 2046.
Bai (Zhang Ziyi) is a beautiful girl who falls in love with him. Wang (Faye
Wong) is the hotel proprietor's daughter who develops a tendresse while
collaborating on a novel. And Gong Li plays a mysterious gambler.
The director and his cinematographer, Christopher Doyle, contrive their
familiar close-ups and shabby interiors, often showing an eye for a beautiful
female sashaying up stairs. In watching the film we are marooned in a
virtual "present" time of exquisite unhappiness. It is an absorbingly
mysterious, richly sensuous film."
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※ 编辑: glare 来自: 140.119.203.86 (05/21 18:32)