: 玩那种很快的曲子的时候 : 明明速度可以很快(夏季急板) : 但是为什麽左手速度老是让右手速度跟不上呢? : (左手已经跑完了一节,右手却少了那几个音符) : 这一怎麽练习才能改进 虽然这是老掉牙的说法 但是还是要说 如果一只手跟不上另一只 一定要慢练 最好对着节拍器 比如从70开始 练到每个音都非常清楚可以百分之百拉对 再加快到75 像这样慢慢加快 这听起来是很笨很慢的练法 可是我觉得是唯一有效的 : -- : 最近看陈美的演奏 : 觉得他的左手根本"黏"在指板上 陈美的演奏会 不是几乎都是"对拉"的吗? (像歌手对嘴) 她的东西少看为妙吧 -- I've come up with a set of rules that describe our reactions to technologies. Anything that is in the world when you're born is normal and ordinary and is just part of the way the world works. Anything that's invented between when you're fifteen and thirty-five is new and exciting and revolutionary and you can probably get a career in it. Anything invented after you're thirty-five is against the natural order of things. --Douglas Adams --

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