来源： https://goo.gl/upEduT 标题： Turning The Tables: The 150 Greatest Albums Made By Women (As Chosen By You) 这个榜单是由NPR Turning the Tables readers' poll产生 Taylor有四张专辑入围： 13. 1989 19. Reputation 33. Red 148. Fearless 有点惊讶Fearless的排名这麽後面 是因为这个榜单比较偏向流行吗？ Speak Now跟同名专辑都没入围 另外Taylor是30岁下排名最高的(Adele还没满30啊?) 摘录Taylor的部分： Taylor Swift, whose music has dominated the current historical moment just as Mitchell's strongly defined the turn of the 1970s, stands for a different central tenet of canon-making, one the original document, assembled by "experts," obscured. Fan activism matters. Swifties place four of her albums here — only one, Fearless, made the first Turning the Tables, squeaking into the Top 100 at 99. Here, Swift is the highest ranking artist under 30, with 1989 claiming lucky 13. 13. Taylor Swift - "1989" (Big Machine Records, 2013) "Without even considering the superb song-craft on this album and its can't-get-this-damn-song-out-of-my-head hooks, the cultural impact of 1989 is undeniable. Not only has everyone heard at least a few songs off of this album, but it also helped define the pop sound of this decade, ushering in a new wave of '80s-inspired synths. Its themes of independence and freedom resonate with mass audiences, whilst concurrently reminding us that pop music doesn't have to be vapid. How often do we get albums as multi-talented as this?" 19. Taylor Swift - "Reputation" (Big Machine, 2017) "The old Taylor can't come to the phone." "In the death of her reputation, she felt truly alive." "A grower. Unexpectedly vulnerable, poignant, under the brash and aggressive armor." 33. Taylor Swift - "Red" (Big Machine, 2012) "The first album to show not only her depth, but her breadth as a songwriter, singer and purveyor of culture. Speak Now was the album on which she fully took the reigns and wrote every song alone. It may even flow better as an overall album. But the high points of Red are unimpeachable. Stadium rock, pop country, coffeeshop confessionals, synthpop celebrations and the most controversial EDM drop of the digital era were all carefully housed under the watchful ear and pen of our greatest and most consistently undervalued modern songwriter. It's also home to her two best songs, 'All Too Well' and 'Begin Again.'" 148. Taylor Swift - "Fearless" (Big Machine, 2008) 前20名如下： 1. Joni Mitchell - "Blue" (Reprise, 1971) 2. Carole King - "Tapestry" (Ode, 1971) 3. Lauryn Hill - "The Miseducation of Lauryn Hill" (Ruffhouse/Columbia, 1998) 4. Kate Bush - "Hounds of Love" (EMI, 1985) 5. Janis Joplin - "Pearl" (Columbia, 1971) 6. Patti Smith - "Horses" (Arista, 1975) 7. Amy Winehouse - "Back to Black" (Island, 2006) 8. Beyoncé - "Lemonade" (Parkwood/Columbia, 2016) 9. Tori Amos - "Little Earthquakes" (Atlantic, 1992) 10. Joni Mitchell - "Court and Spark" (Asylum, 1974) 11. Adele - "21" (XL/Columbia, 2011) 12. Liz Phair - "Exile in Guyville" (Matador, 1993) 13. Taylor Swift - "1989" (Big Machine Records, 2014) 14. Aretha Franklin - "I Never Loved a Man the Way I Love You" (Atlantic, 1967) 15. Björk - "Homogenic" (One Little Indian/Elektra, 1997) 16. Lucinda Williams - "Car Wheels on a Gravel Road" (Mercury, 1998) 17. Tori Amos - "Boys for Pele" (Atlantic, 1996) 18. Tracy Chapman - "Tracy Chapman" (Elektra, 1988) 19. Taylor Swift - "Reputation" (Big Machine, 2017) 20. Joni Mitchell - "Hejira" (Asylum, 1976) --

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