※ 引述《jarlinlove (永夜角声悲自语)》之铭言： : 1.镜位要如何描述呢？ : 例如，S1有位谜样人士出场，但不能照到他的脸只能照下半身， : 此时应如何描述呢？在哪里描述呢？ : ---------------------------------------------- : S1 景：街　人：黑衣人(半身-*在这？) : (黑衣人走过来-半身镜位-*在这？) : *还是在哪？XD : ---------------------------------------------- : 2.画面剪接要如何描述呢？ : 例如有两场镜头想要水平剪，那麽应该： : ---------------------------------------------- : 注明：（S1、S2水平剪接) : 这样才对(或比较好)呢？非常谢谢各位看完我冗长的问题<(_ _)> 其实你不用想很多，剧本是让剧组清楚知道发生什麽事的工具而已， 能写简单清楚就可以了，在中文电影剧本里，用个三角型把事情说清楚就好了～ 比如说： 　S1: 景：街　　人：黑衣人 　Δ 黑衣人从暗巷走出，镜头从皮鞋向上pan, 定格在他的黑色手套上。 　Δ 以下与S2 / S3水平对剪 　S2: 景：医院 人：白袍医生 　Δ 医生从病房门口走进，镜头从医师鞋向上pan,定格在他的医疗手套上。 　S3: 景：按摩院　人：按摩小姐 　Δ 按摩小姐从包厢走进，镜头从她的高跟鞋向上pan,定格在她的水晶指甲上。 要注意的是，不要把导演与剧组搞疯就好了～ 比如说： 　S1: 景：街 人：黑衣人 Δ 黑衣人从暗巷走出，镜头只拍下半身，表现出他那沧桑的一生。 => 沧桑的一生？这是啥鬼呀？要你就把”沧桑一生”写清楚～ ＝＝＝＝＝＝＝＝＝＝＝＝＝＝＝＝＝＝＝＝ 我以沉默的羔羊为例，以下是 Dr. Lector 要杀掉警卫的一段，原着剧本是这样写的： （英文剧本格式不同，你可以参考人家的写法：） VARIOUS ANGLES - EACH BLURRING INTO STOP-ACTION 中间後面那一段，是用文字表现出分镜表（连续动作），我个人认为写的太仔细了 ......不过这样写有很大的好处，就是後来画分镜表时，比较不会出错～ DR. LECTER I'm ready when you are, Officer Pembry. Pembry comes around the cell to squat behind Dr. Lecter. He tugs his hands farther out, rather roughly, handcuffs his wrists. He shakes the cuffs, making sure of them, then nods to Boyle. NEW ANGLE - AT CELL DOOR as Boyle picks up the dinner tray, and Pembry crosses around. Pembry takes the keys from Boyle, unlocks the cell door, and pushes it inward. Boyle goes inside with the tray. DR. LECTER watches as Boyle approaches the table, above five feet from him. Boyle has to set his tray down on the floor to clear off some of the mess of drawings. The MUSIC plays on. VERY CLOSE ON ...Dr. Lecter's hands, outside the bars, as the makeshift key, held between the tips of his right index and middle fingers, searches for the keyhole of the cuffs. And finds it. NEW ANGLE - FAVORING BOYLE as he finishes clearing the drawings, then turns back towards Dr. Lecter, stooping to pick up the tray. BOYLE'S RIGHT HAND is just inches from the tray when Dr. Lecter's hand darts INTO SHOT, snapping a handcuff onto his wrist. BOYLE looks up, astonished, to find himself right in the grinning face of Dr. Lecter - who just as quickly rolls sideways, and snaps - THE OTHER CUFF around the bolted leg of the table. And suddenly all natural SOUND and MOTION are suspended, as the MUSIC soars much louder, each separate note of it now echoing distinctly, and we see... VARIOUS ANGLES - EACH BLURRING INTO STOP-ACTION Pembry starting into the cell, reaching for his riot baton... Dr. Lecter smashing against the cell door, driving it into Pembry, pinning him across the chest, against the door frame... Boyle, on one knee on the floor, digging desperately in his pants pocket for his handcuff key... Pembry's hand, mashed against his body by the door, as he strains frantically to reach the baton at his waist... Pembry's eyes, widening in horror as he stares at... Dr. Lecter's bared teeth, flashing towards him... Dr. Lecter gripping Pembry's face in his jaws, shaking it like a dog shakes a rat... Boyle finding his key, but in his terror dropping it... Dr. Lecter yanking the mace can and riot baton from the dazed Pembry's belt, spraying him in his bloody face, then clubbing him to his knees... Boyle, mouth open in a silent scream, finding his key again, unlocking the handcuff, but then, as he starts to rise, seeing... Dr. Lecter standing over him, with the riot baton raised high; he swings it viciously down, again and again and again... Then normal SOUND and MOTION are restored as we go to - CLOSE ANGLE ON the cassette player, and the portrait of Clarice, both now flecked with blood. In addition to the Bach, we now hear soft PANTING, close by, and whimpering SOBS in the background. ANGLE ON DR. LECTER eyes closed, lost in a favorite passage of the music. His bloody fingers drift airily with the notes, as his breathing slows to normal. He opens his eyes, sighs contentedly, looks down. PS.以上剧本转载自 www.imsdb.com ，如果要多看看好莱坞的剧本，那里有一堆唷～ -- seek the truth, follow the lies. --

※ 发信站: 批踢踢实业坊(ptt.cc) ◆ From: 210.192.216.64 ※ 编辑: fdtu0928 来自: 210.192.216.64 (04/20 14:45)