※ 引述《pant (哇!那群绵羊冲过来了)》之铭言： : 你们知道为什麽他要说CLIMBING UP THE WALLS吗? : Either way you turn ill be there...open up your skull.. : ill be there climbing up the walls... hmmm... 这是之前在网站上找到的， 也来不及翻成中文(其实是因为懒惰...) anyway, 希望有些帮助 * * * This is the first track in the band's repertoire to be described as "scary". It relies heavily on strings, but not in the conventional way. The string section, covered by Jonny alone, features 16 different violins playing quarter tones apart from each other. The audience's cue that the band is about to play this song live comes when Jonny pulls out a small radio and begins tuning it to different stations. During the band's sound checks, Jonny locates classical-music or news-oriented local radio stations and uses these -- never rock stations -- to execute the song. [Radiohead: From a Great Height] Thom: This is about the unspeakable. Literally skull-crushing. I used to work in a mental hospital around the time that Care In The Community started, and we all just knew what was going to happen. And it's one of the scariest things to happen in this country, because a lot of them weren't just harmless... It was hailing violently when we recorded this. It seemed to add to the mood. Some people can't sleep with the curtains open in case they see the eyes they imagine in their heads every night burning through the glass. Lots of people have panic buttons fitted in their bedrooms so they can reach over and set the alarm off without disturbing the intruder. This song is about the cupboard monster. Thom: Some people don't dare to sleep with the window open, because they're afraid that the monsters that they see in their imagination will come inside. This song is about the monster in the closet... I found the sentence "the crack of the waning smile / 15 blows to the skull" after I had read in the New York Times that 8 out of 10 mass murderers in American history committed their crimes after 1980 and that they were all males between 30 and 40, who had just lost their job or had just been through a divorce. Ed: We recorded the song in the house of actress Jane Seymour in Bath, where The Cure recorded 'Wild Mood Swings'. We recorded in the library. That's were the er...'gothical' mood of the song comes from. Jonny: For the 'white noise' flashes at the end, we used 16 violins that were just not playing the same. It may sound blase but we were a bit fed up with rock arrangements. They haven't evolved since 'Eleanor Rigby' of the The Beatles. We discoverd the Polish composer Penderecki. Since than, all we do is steal from him! (smiles) * * * --

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