作者titdnic (杰克维)
看板NTU07DFLL
标题[公告] 3/18学术讲座
时间Fri Mar 6 01:14:44 2009
国立台湾大学外国语文学系学术演讲
DFLL Faculty Colloquium
(若需公务人员终身学习时数认证者,研习後可登录时数2小时)
The Politics and Poetics of Slumming in Cormac McCarthy's Suttree, Jim
Jarmusch's Dead Man and Abbas Kiarostami's The Taste of Cherry
Speaker: Dr. Sean Allan (DFLL Project Assistant Professor)
演讲人:项亚伦助理教授(台大外文系专案计画助理教授)
Moderator: Dr. Hsin-ying Li (DFLL Associate Professor)
主持人:李欣颖副教授(台大外文系副教授)
Time: 3:30 ~ 5:00 pm, Wednesday, March 18, 2009
时间:2009年3月18日(周三)下午3:30-5:00
Venue: DFLL New Conference Room, Gallery of NTU History (Old Main Library)
地点:台大校史馆(旧总图)一楼外文系新会议室
Abstract:
This presentation will look at the ways in which literature and film use the
"slumming" subject to observe the political and aesthetic significance of
interpersonal and intercultural dynamics.
I use "slumming" both to move away from the sharp divisions implied in
Pratt's "contact zone" theory and to try to navigate a more nuanced
understanding of the concept of "slumming" as act, state-of-being, and
accusation. I first propose that "slumming" is not necessarily an ironic
act but can also be the mode of a quest spurred by a crisis of conscience or
a crisis of circumstance. The slumming subject is also anxious because he or
she is aware that the process of slumming is always already suspect, for the
identity formation or the agency that a slumming suspect seeks is often read
as an act of malicious appropriation.
The presentation, concentrating on Cormac McCarthy's novel Suttree, Jim
Jarmusch's film Dead Man, and Abbas Kiarostami's film The Taste of Cherry,
will look at the way the slumming subject can be used to interrogate issues
and assumptions about race, class and ethnicity. These interrogations lead
to an understanding of how the representation of slumming can be an aesthetic
act.
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