※ [本文转录自 NTU07DFLL 看板] 作者: titdnic (杰克维) 看板: NTU07DFLL 标题: [公告] 外文系学术演讲 时间: Tue Jun 2 10:58:48 2009 国立台湾大学外国语文学系学术演讲 "Hiding in the Light": Bert Williams, Resistance, and the Specter/Spectacle of Race 演讲人：萧立君助理教授（台大外文系助理教授） 主持人：李欣颖副教授（台大外文系副教授） 时间：2009年6月3日（周三）下午3:30-5:00 地点：台大校史馆（旧总图）一楼外文系新会议室 -------------------------------------------------------------------------------- Abstract: In light of the theoretical framework outlined in a larger project, my presentation will examine the blackface performance of Bert Williams, a Caribbean-born black performer who was the first to integrate Broadway stage and enjoy sustained popularity in the early years of the twentieth century. This project takes as its point of departure Kalpana Seshadri-Crooks’s conception of race as a “regime of visibility,” and explores the curious phenomenon of the ostensible invisibility of race, as a “problem” or a category of political mobilization, in historical junctures in which glaring racial difference was in various ways rendered a spectacle, focusing on the workings of race and the modes and strategies of resistance organized around race. Power that counts on the regime of visibility, I argue, can nevertheless be predicated on the invisibility of race while operating on the staging of racial elements and/or the figurations of race. Through the discussions of the case of Bert Williams as well as a few historical antecedents that foregrounded such problematic functioning of race, I would point to and examine the propinquity of the specter and the spectacle of race —that is, how its visibility hinges on or is intertwined with, and might result in its invisibility. Williams’ strategy of “hiding in the light” or hiding in plain sight, mirrors, in an ironically diametrical way, the functioning of the spectacle of race. The highly incalculable cultural form of blackface masking emerges as a racial spectacle par excellence, yet it also exemplifies a certain invisibility of race that instantiates the indistinguishable zone between strategies of resistance and forms of collaboration in a vastly imbalanced power relation. Based on psychoanalytic theory, this paper shall also explore the possibility of articulating such specter, which is traumatic, constitutively invisible, and always susceptible to the appropriations of the spectacle, thereby effecting visible changes in a given socio-political order. --

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※ 发信站: 批踢踢实业坊(ptt.cc) ◆ From: 140.112.4.234