作者sophia0603 (sophia)
看板NTU06DFLL
标题[公告] 台大莎士比亚学术活动
时间Fri Apr 13 16:31:19 2007
台大莎士比亚学术活动
Joseph Graves
Artistic Director, Institute of World Theatre and Film, Peking University
北京大学外国戏剧与电影研究所艺术总监
Joseph Graves is currently the artistic director of the Peking University's
Institute of World Theatre and Film in Beijing, China. Prior to his position
in China, Graves spent his professional life as a director, writer and actor
for both theatre and film in Great Britain and America. He has directed and
/or performed in over 60 Shakespearean productions in Great Britain, America,
and China, and has impersonated Hamlet, Henry V, King Lear, Richard III,
Macbeth, Richard II, Antony, Brutus, Leontes, Romeo, Mercutio, Petruchio,
along with many other roles. Graves has also written extensively for film
and stage.
1. Lecture 1: Shakespeare from Page to Stage
This lecture offers a brief synopsis of Shakespeare’s history and his impact
on the English language, but concerns itself primarily with the art and craft
of acting as it relates to getting the bard off the page and up on a stage in
performance. The lecture will include those in attendance being guided through
some fundamental exercises in performing monologues from some of Shakespeare’s
plays.
4月30日周一下午4:00-5:10
台湾大学新生大楼505教室
2. Acting Workshop
限25人,请於4月23日前报名ꄊ
5月1日周二下午2:00-5:00
台湾大学戏剧系110教室
3. Solo Performance: Revel’s World of Shakespeare
Written and performed by Joseph Graves
Graves draws heavily on his considerable personal experiences with
Shakespearean plays and study for the play’s articulations. Graves magically
weaves a wildly comedic and deeply moving tale of childhood confusion and
exploration, relating it all to the greatest English writer, William
Shakespeare.
演出以英文进行,附中文字幕。
5月2日周三下午3:30-4:50
台湾大学视听小剧场
4.Lecture 2: Shakespeare: to Be Studied or Performed?
This lecture deals with two distinctly different approaches to the works of
William Shakespeare, those of the academic, and those of the performer.
Graves points toward the equally pronounced similarities the two disciplines
share related Shakespeare’s works, and explains how the two approaches to
Shakespeare coalesce more often than not, and can, through a unity of
applications, vastly enlarge our appreciation and understanding of the
dramatic works of greatest of all Western writers.
5月4日周五下午2:00-3:10
台湾大学新生大楼503教室
http://www.shakespeare.tw
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