最近在网路上发行的一份电影音乐杂志 http://www.filmmusicweekly.com/ 对今年奥斯卡电影音乐奖做出如下评论 大意是说，奥斯卡奖从来没有被认真对待过，至少不曾从历史的观点来看得奖者 以及得奖作品。 今年的得主GS，他拿了两座奥斯卡奖，是Jerry Goldsmith，Georges Delerue， Elmer Bernstein的两倍，如果Ennio Morricone的终身成就奖算一座的话， GS也是颜大师的两倍。作者一直希望JG可以拿一座终身成就奖，但也没等到 更正：JG过世也两年了，所以很令人感慨啊～ The Oscar – no lesson in history The big question is: are the music Oscars really meant to be taken seriously? No doubt about it, Gustavo Santaolalla has definitely come up with some very effective and original music for the two films resulting in his Oscars: Brokeback Mountain and Babel. But when you look at the Oscars from a historical perspective, you begin to wonder how important these awards really are. Jerry Goldsmith got one. Elmer Bernstein got one. Georges Delerue got one. Leonard Rosenman didn’t get any. Until yersterday, Ennio Morricone owned zero. Gustavo Santaolalla now now has two, twice as many as Ennio. And Jerry. And Elmer. I’m not saying that Santaolalla’s music isn’t good – on the contrary, I think it’s pretty effective in its right context, but let’s face it: the Oscars simply don’t give you a very good overview of the most important film scores from a historical viewpoint. And I know, who said that was the purpose...? Still, it ’s sad to see that composers who really changed the way film music was conceived, composers who influenced generations, never got the recognition they deserved. I was waiting for years and years for Jerry Goldsmith to get the lifetime achievement award, but it never happened. So, I sincerely hope that everyone takes the Oscars with a grain of salt. Let ’s just say it was a nice party – and congratulations, Gustavo Santaolalla, on your second Oscar! Mikael Carlsson Editor [email protected] --

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