影像档案与记忆政治：《界限／南北》录像放映+座谈 Video Screening + Artist Talk: "Boundaries" 时间 Time/ 2019/09/20(五) 19:30-21:30 地点 Venue/ 江山艺改所（新竹市东区兴达街1号） Jiang Shan Yi Gai Suo (No. 1, Xinda St., Hsinchu City) 与谈人/ 李俊峰（艺术家、前香港活化厅创办成员） 林欣怡（交大应用艺术研究所副教授） 免费入场 Free Admission /////////////////////////////////////////////////////////////// 关於放映 About The Screening/ 9/20（五）晚上我们很荣幸邀请到了香港艺术家李俊峰放映他新完成的录像作品。创作之 初本是为了雨伞运动五年後的回应，但作品完成後马上遇到更大规模的反送中运动。在这 个风起云涌之际，让我们一起缓一缓，从别的视角切入，或许可以看到新的视野与思考。 /////////////////////////////////////////////////////////////// 关於录像 About The Video/ 《界限／南北 Boundaries》 创作 Artist：李俊峰 Lee Chun Fung 片长 Duration：30min，粤语配音 Cantonese，中英文字幕Chinese/English Subtitles 创作年份 Year：05.2019 80s年代初，英国政府着手处理香港前途问题。中国在这问题上态度强硬，坚持收回香港 主权，甚至威胁若谈判破裂便会单方面宣布收回香港。英方考虑到在港长期经营的利益， 极力主张所谓的「三条条约有效论」，即按「南京条约」和「北京条约」所订，守护英方 对港岛与九龙半岛的统治权。为了在谈判桌上多增一份信心，英方官员建议在「拓展香港 界址专条」所订的界线上，筑建一道仿效德国柏林围墙的「香港墙」，将当时的香港划下 南北分隔线，好让英国在1997後仍保留其最後的 "远东殖民地" 。 这录像尝试勾画「香港墙」建成後，香港的另一发展路径。在这时空里，「墙」既为物理 空间的分割，也构成多重因素影响下的认同政治。无论这「墙」到底是否存在，这录像希 望与大家一同探讨香港就其地缘政治与经济地位所引伸的独特处境。 Project Description: When the British started to negotiate the future of Hong Kong with the Chinese government, Chinese government has shown persistency and insisted on reclaiming Hong Kong's sovereignty. Considering the long-term interests that the British has invested in Hong Kong, they strongly advocated the validity of the three treaties, that is according to the Treaty of Nanking and Treaty of Peking, British own the sovereignty of Hong Kong Island as well as Kowloon Peninsula; while New Territories is on lease for 99 years and shall be returned to China in 1997. In order to show confidence to the Chinese government, British proposed to build Hong Kong Wall at the boundary between the New Territories and Kowloon, that imitated the Berlin Wall in Germany. In this circumstance, Hong Kong would be divided into northern and southern, as assurance to British to retain her last "Far East colony" after 1997. This video is to depict the possible development of Hong Kong society as if the wall was built. Within this allegory, the wall serves not only as a physical division, but contributes in constructing or re-articulating the identity of Hong Kong people, which is influenced by various ideological, political and economic agendas. By reviewing this alternative history, I hope to discuss the uniqueness of Hong Kong together. /////////////////////////////////////////////////////////////// 关於艺术家 About The Artist/ ● 李俊峰 Lee Chun Fung www.leechunfung.blogspot.com 从事艺术创作、教育及策划工作。社区／艺术空间「Woofer Ten．活化厅」创办成员。他 的创作探讨人与社群、政治行动的互联关系，实践方式不限於特定媒介。曾策划的艺术计 划如「来往广场的单车」、「碧街事变」（与卢乐谦协同策划），策展及网络串连计划如 「东亚诸众峰会」 、「艺术／行动者驻场计划」、「假如在一起」等。 LEE Chun-Fung (b.1984, Hong Kong) is an artist, community activist and curator based in Hong Kong. He is the co-founder of Woofer Ten (2009-15), a community art space based in a grass-root area in Hong Kong. His artistic interest is about the interconnection between the sense of community and direct activism. His practices cover different media and disciplines, ranging from art action, installation, video, photography, zine publication, workshop, writing, curating etc. 活动页面：https://www.facebook.com/events/466934554161565/ --

※ 发信站: 批踢踢实业坊(ptt.cc), 来自: 220.137.55.92 (台湾) ※ 编辑: OscarJeff (220.137.55.92 台湾), 09/20/2019 16:26:16