大家好，我是康老师， 因为题目有三种难度， 所以每位同学在考场上遇到的题目不一定一样，连作文也常不一样。 老师特别花了时间在下面汇整各同学们的回报。 由於9月8日两岸同时开考，所以也将大陆考题并入和大家分享，欢迎同学帮忙补充。 本次英文原题整理请参见：https://goo.gl/OVsya5 更多完整版原题收藏请详见班内真经班各期讲义 ▲ 填空 0908 GRE填空/等价真题：总共11组命中真经班 ◆ 填空命中真经班：The new drug was……… (本篇英文原题如下) Just because, as a photographer, Friedlander (i)______ places that most people consider ugly does not mean that he is out to prove they are beautiful. Instead, his work suggests that the photographer simply cannot ignore so much of the built American landscape but is obligated to (ii)______ what we pass through day in and day out, regardless of (iii)______. 【真经班解答】(i) is interested in (ii) document (iii) aesthetics 【真经班解析】aesthetics : < -sthet = -sent：sense 感觉 > → 对某物很有感觉 → 感觉很美的 → 美学的。 ◆ 填空命中真经班：Many of the towns………(本篇英文原题) When the Agriculture Department (i) ______ its new dietary guidelines, it laid down a challenge: Eat better, smarter, and healthier, or else. The “or else” included a long list of (ii) ______ that (iii) ______ the developed world, from heart disease and osteoporosis to diabetes. 【真经班解答】(i) made public (ii) maladies (iii) plague 【真经班解析】malady : < mal-：bad 不好的 > ← 源自法文 maladie（n. 疾病），由 身体的病痛，引申至问题。 ◆ 填空命中真经班：The research found that……… ◆ 填空命中真经班：The brain has become……… ◆ 填空命中真经班：In Protoscience times……… ◆ 填空命中真经班：…solid case studies……… ◆ 填空命中真经班：In Protoscience times……… ◆ 填空命中真经班：Because the political situation……… ◆ 填空命中真经班：Many Latin American writers……… ◆ 填空命中真经班：P’s model of human……… ◆ 填空命中真经班：Since he had demonstrated……… (以上英文原题请见上面连结下载哦!) ▲ 阅读 0908 GRE阅读：总共命中三篇阅读真经班原题（共7题） ◆ 0908 GRE阅读第一篇命中：Feminine Novel 女性小说 (本篇英文原题如下) In a critique of Mrs. Elizabeth Norman’s The child of Woe: A Novel (1789), the Analytical Review (February 1789) remarked that having no other virtues to recommend it, the book could only be termed "a truly feminine novel," the vast majority of which were “so near akin to each other, that with a few trifling alterations, the same review would serve for almost all of them” The Analytical Review’s rather arch dismissal of novels by women has all too often been reflected in the literary histories of English fiction, where it has been popular to view the rise of the novel as the exclusive history of “the five greats” (Defoe, Richardson, Fielding, Smollett, and Sterne) and to ignore or at best to minimize the contributions of eighteenth-century women novelists. Serious readers of eighteenth-century fiction have finally come to admit, however, that the novel did not spring fully formed from the mind of Richardson, but was the child of many parents and the outgrowth of narrative techniques and fictional conventions first developed by writers of popular fiction, many of them women. In short, literary historians and critics have begun to give eighteenth-century women novelists their due, a process of reassessment that owes much to the rise of women’s studies and a parallel growth in critical interest in eighteenth-century fiction in general. Today’s critical focus on the “feminine novel” as a category suggests that in one sense the Analytical Review was right: women novelists of the eighteenth century were “akin to each other,” sharing common interests, common themes, common techniques, and as women of the eighteenth century, a common techniques, and as women of the eighteenth century, a common fate. But the Analytical Review was also quite mistaken, for if, as popular writers, eighteenth-century women produced a large body of eminently forgettable (if not unreadable) works, then many modern readers of the new paperback editions of these women’s novels remind us that eighteenth-century women novelists also created an abundance of works marked by their quality and originality, as well as their historical interest. Moreover, the sheer variety of modern critical responses to the “feminine novel” and the liveliness of the critical debate surrounding them prove beyond question that never again will the same review “serve for almost all of them.” Of course, as in all areas of literary study, much has been written that was perhaps better left unsaid: some scholarship seems superfluous, some merely dull. But the general critical controversy is a healthy sign, indicating that eighteenth-century women writers are finally being judged as international artists worthy of such consideration. What seems clearest of all is that the rediscovery of the eighteenth-century woman novelist has resulted in the skillful mapping of a kind of new literary territory that, although not entirely unknown, had until recently been infrequently visited and remained largely unexplored. 帮同学奉上原题与正解： 1. The passage identifies which of the following factors as contributing to scholarly reevaluations of such novels as The Child of Woe? D. The rise of women’s studies and interest in eighteenth-century fiction. 2. The passage suggests that which of the following is true of eighteenth-century women novelists? One cannot adequately describe the origins of the novel without considering the works of such writers. 3. It can be inferred from the passage that the author believes which of the following about critical controversy? When critics disagree vigorously about how to read a literary work, that very disagreement is some evidence of the work’s significance. 4. The author of the passage criticizes some recent scholarship of the eighteenth-century feminine novel for being unnecessary and tedious ◆ 0908 GRE阅读第二篇命中：Population Pressure人口压力 ◆ 0908 GRE阅读第三篇命中：Dead Zones 死区 (以上英文原题请见上面连结下载哦!) ▲ 数学 ◆ 四个不同玩具分给不同3人每人至少1个玩具有多少分法 ▲ 写作 Issue: 8、19、43、112 [19、43、112] 命中GRE作文黄宝书9月号 Argument: 60、22、146、50、51 [60、50] 命中GRE作文黄宝书9月号 作文黄宝书9月号下载请见【GRE学习团档案区】：https://goo.gl/OVsya5 TOEFL学习团 托福JJ情报资源、问题探讨、考试情报交流 http://bit.ly/29SZbaN GRE学习团 GRE机经整理、情报资源、问题探讨、考试情报交流 https://goo.gl/OVsya5 --

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