柏林新浪潮 Nouvelle Vague from Berlin： 德国唱盘声音艺术家 Ignaz Schick 台湾巡演 时间 Time/ 2019/03/19(二) 19:00入场door opens / 19:30开演starts 地点 Venue/ 江山艺改所（新竹市东区兴达街1号） Jiang Shan Yi Gai Suo (No. 1, Xingda St., Hsinchu City) 表演者 Performers/ Ignaz Schick (DE) / 唱盘、物件 turntable, objects Jyun-Ao Caesar / 电吉他 electric guitar DJ诚意重 DJ Chéng Yì Chóng (Rex Chen) / 唱盘 turntable 入场赞助 Donation For Entry/ $300-200 自由订价 self-pricing donation *不论年龄只要有亲子关系，即一位免费入场 Audiences with parent-child relationship will get free entry for one person. *请勿携带外食饮品 No outside food or drinks allowed. ////////////////////////////////////////////////////////////////////////////// 关於表演者 About The Performers/ ● Ignaz Schick (DE) http://www.zangimusic.wordpress.com http://www.soundcloud.com/ignazschick http://www.myspace.com/ignazschick 唱盘乐手，声音艺术家，表演者，作曲家和视觉艺术家。 乐器：萨克斯风，电子音乐，长笛，打击乐器，现成物。 Ignaz年轻时就开始学习学习萨克斯风，并在自由爵士和前卫摇滚乐队中表演。与此同时 ，他开始沉迷於多轨录音机、黑胶唱盘和效果器，并开始尝试使用许多不同的乐器和声音 的设备。 他自1995年就在柏林生活和工作，并渐渐在那成为当时所谓的「柏林新浪潮」和蓬勃发展 的实验音乐圈里，积极、不可或缺的一股力量。作为策展人，透过经营着实验音乐品牌 Zarek，始终维持在相当多产的状态。 不论是他的实验音乐或表演实践，他都一直不断地在尝试制作声音装置、实验物件、视觉 拼贴、文本乐谱、具象诗歌，图形乐谱和绘画。自2012年以来，他便专注於观念性作曲和 实验广播曲的创作方式。（提供：听说 Ting Shuo hear say） Turntablist, sound artist, performer, composer, and visual artist. Instruments: saxophone, live-electronics, flutes, percussion, found objects. In his youth, he studied the saxophone and performed in free jazz and avant rock bands. At the same time, he was getting obsessed with multitrack tape machines, record players and effect boxes and he started experimenting with many different instruments and sound making devices. Since 1995 he lives & works in Berlin where he became an active and integral force of the so-called "Berlin Nouvelle Vague" and the blossoming "experimental" music scene. He has been also prolific as curator and runs the experimental music label, Zarek. In parallel to his experimental music and performance practice he has been making sound installations, experimental objects, visual collages, text scores, concrete poetry, graphic scores, and drawings. Since 2012 he focusses on conceptual composition and experimental radio pieces. -- ● Jyun-Ao Caesar http://saintslothmachine.wixsite.com/maze https://soundcloud.com/carquois42 https://www.youtube.com/playlist?list=PLNJRYiM8y1QQUGMFv61sGnLysF0x0jWTd Jyun-Ao Caesar 的音乐灵感来自Eric Cordier与大友良英，或许可以简略地总结成一种 姚大钧泛具象音乐论的创作实践。技术上，他在讯号处理、类比放大与田野录音的经验以 及他对时空的知识直接或间接地导致他的演奏方式，经过多年的探索，他找寻着适合的机 材来与他的吉他互动，在他近期的设备中，这些器材允许他即时地控制变化的参数并布局 声音的幻象位置，透过这样的方式掌握着自己的演奏并同时与器材互动，在确定性与即兴 之间取得适当的平衡。 在与即兴打击手Lala Reich、吉他手Pillof Yau与贝斯手Weiting Huang的组合「圣・死 啦什麽心」里，他透过泛具象音乐论的作曲方式创作了不少作品，作为人文主义与现代性 的一种非写实主义式的探索与表现。圣・死啦什麽心近期转型成更为开放式的合作项目， 加入了许多其他的声音艺术家与即兴乐手。 作为一个打工的亚即兴乐手，他曾经与Dino, Motoki Yoshinori, Paal Nilssen-Love, Rabito Arimoto, Park Daham, Kyosuke Terada, Lala Reich, Tsuruya Genizai, Soma, Lisa Lai等乐手与艺术家共演。 The idea of Jyun-Ao Caesar’s music borrows from both Eric Cordier and Otomo Yoshihide and can be simply summed up as an approach toward the compositions of Pan-Musique Concrète in the sense of Dajuin Yau. Technically his experience with signal processing, analog amplification, and field recording, as well as his knowledge of space and time led to his adoption of the instrument. After several years of searching, he found the right effect pedals and machines for interpreting multiple effects with input signals, as opposed to those that shape the tone of the guitar. In his latest set-up, the effects are integrated with signal analysis, enabling him to assign parameters of transformation and to position the sound in the phantom image. In this way, the electronic modulations can be controlled by how he plays, while still retaining a degree of their own autonomy. In his long-term collaboration with the impro-percussionist Lala Reich, guitarist Pillof Yau and bassist Weiting Huang under the name Saint Sloth Machine, he has composed several pieces via the concept of Pan-Musique Concrè te and aims to represent certain contemplation of humanism and modernity in a non-realist way. The group Saint Sloth Machine has recently transformed into an open project joined with several other sound artists and improvisation players. As a part-time pseudo-improvisor, he has played with Dino, Motoki Yoshinori, Paal Nilssen-Love, Rabito Arimoto, Park Daham, Kyosuke Terada, Lala Reich, Tsuruya Genizai, Soma, Lisa Lai and some others not named. -- ● DJ诚意重 DJ Chéng Yì Chóng (Rex Chen) https://www.instagram.com/djrexchen/ https://www.mixcloud.com/124842426/ 早期受到台中蓝色唱片行JJ影响启发，开始在台中与艺术家黄博志、方琦合作一起举办地 下实验音乐活动back to basic系列，之後协助默契音乐脑天气艺术祭、草地音乐祭，与 Noisesteve等人组实验噪音团体「麦芽精酿」、「焦虑性心搏过速」，也与蔡安智、王庚 、Noisesteve等人发行《土跤顶》声响作品，推动不同於乐团的地下电子音乐跟DJ场景。 擅长从DJ的角度来玩有趣的声音、音乐，蛮偏好使用唱盘跟大量的DJ手法来玩声音，早年 开始买Techno跟DNB黑胶唱片之後就继续败下去成为唱片爱好者，DJ放歌或Live演出内容 较抽象缓拍/实验/Minimal/IDM/Glitch/Abstract/Trip Hop/Hip Hop/Noise/即兴等不同 类型跨越串来串去。近年接触日本地下音乐跟御宅族文化发现许多奇特有趣的地下音乐会 放到DJ跟Live Set里面，也与不少的乐手进行合作即兴音乐演出。 DJ Chéng Yì Chóng(Rex Chen) a turntablist base in Taiwan who uses a strict DJ vantage to explore and create new worlds within the elements of music, noise and sound. Preferring the analog feel of Vinyl , Chéng Yì Chóng has a vast back catalogue of Techno/DNB/Hip Hop vinyl, which he likes to blend together with all different genres of music, from instrumental, electronic, minimal, IDM, glitch, noise , experimental, improvised and countless others to create something that is quite often rare and unexplored by any other artist or DJ. Chéng Yì Chóng has a deep connection to Japanese indie Otaku culture and has used this interest to explore further into new and unheard types of music that he fuses together with other genres to create what is always described as a truly unique experience. 活动页面：https://www.facebook.com/events/275186903377866/ --

※ 发信站: 批踢踢实业坊(ptt.cc), 来自: 42.72.59.3 ※ 编辑: OscarJeff (42.72.59.3), 03/18/2019 19:03:17 ※ OscarJeff:转录至看板 NHCUE-Talk 03/18 19:03