※ [本文转录自 need_student 看板] 作者: HsiaYang (浩荡大江) 看板: need_student 标题: [台北] 男 艺术哲学课程 全英语教学 时间: Tue Sep 23 17:51:40 2008 1.科目：Philosophy of Art 2.地点：台北市汀州路2段219号2楼 3.时间：预订 30 September 2008 开课,（可能延後一至两周， 视招生情况而定。）each Tuesday 6:30-9:00 pm 4.希望待遇：课程学费：全期7800元，每四堂2800元 学生优惠：全期6600元，每四堂2400元 5.教师性别：男 6.学经历：Prof. Dr. Gerald Cipriani http://www.wretch.cc/blog/agathe2006/27385302 7.连络方式：02-23690458；0968064143 刘先生 8.课程介绍： 全英语小班授课，并有教学助理课堂协助。可加强学员对西方文化、社会 及哲学思想之认识和理解；同时锻链英语表达、讨论思辩及学术写作的能力。 并可提供英美大学研究所之入学申请谘询，及"writing sample"之写作指导。 Critical reflections on the nature of art and how we interpret it. Content: This series of seminars will reflect on the question of the interpretation of art. Examples will be chosen from visual, musical, or textual forms of art practices. ‘Interpretation’ in art is the field of investigation of a branch of philosophy that is called ‘hermeneutics’. We could say that the artwork is the bearer of a message in which we see a particular meaning, and the task of hermeneutics is to understand what is happening when one perceives such a meaning in the artwork. Therefore, the questions that we will strive to answer are: What is the nature of the message that the artwork is sending to us, and how do we grasp it? What kind of meaning are we to find in, or discover from, the artwork, and correspondingly, what kind of interpretative method are we to use? The audience will therefore be introduced to the philosophical hermeneutics of Hans-Georg Gadamer (1900-2002). There are however many ways to interpret an artwork. Martin Heidegger (1889- 1976), for example, thought that art had the ability to reveal a particular form of truth, when Maurice Merleau-Ponty (1907-1961) saw artistic experience as pre-objective and above all embodied in the world. Other interpretative perspectives will include art as a language to be analysed(Ludwig Wittgenstein, 1889-1951); the imaginative value of art (Jean-Paul Sartre 1905-1980); deconstruction (Jacques Derrida, 1930-2004); the sublime dimension of art (Jean-Francois Lyotard, 1928-1998); and the representational nature of art (Gerald Cipriani 1963- ). The lectures will also address the issue of taste and value judgement. Should such a judgement be seen as completely subjective or universal? Should there be a standard of taste? The audience will therefore be introduced to the aesthetics of David Hume (1711-1776) and Immanuel Kant (1724-1804). Indicative Schedule: (1) Tuesday 30 September 2008, 6:30-9:00 pm: Introductory Lecture: How can philosophy teach us something about art? Bois, Y-A. (1990) Painting as model. (2) Tuesday 7 October 2008, 6:30-9:00 pm: The standard of taste: David Hume (1711-1776) Hume, D. (1757) ‘Of the standard of Taste’ in Art and its Significance, ed. Ross, S. D. (1994). (3) Tuesday 14 October 2008, 6:30-9:00 pm: Art and judgement: Immanuel Kant (1724-1804) Kant, I. (1790) Critique of judgement. (4) Tuesday 21 October 2008, 6:30-9:00 pm: The ontological question of art between being and truth: Martin Heidegger (1889-1976) Heidegger, M. (1971) ‘The origin of the work of art’ in Poetry, language, thought. (5) Tuesday 28 October 2008, 6:30-9:00 pm: Representation and presencing in the art of the still-life, today and after Aristotle Cipriani, G. (2003) The calm movement of Phusis revealed - Representation and presencing in the still life. (6) Tuesday 4 November 2008, 6:30-9:00 pm: Art and Imagination: Jean-Paul Sartre (1905-1980) Sartre, J.P. (1940) The psychology of the imagination. (7) Tuesday 11 November 2008, 6:30-9:00 pm: Art and experience, an embodied nature: Maurice Merleau-Ponty (1907-1961) Merleau-Ponty, M. (1964) ‘Cezanne’s doubt’ in Sense and non-sense. (8) Tuesday 18 November 2008, 6:30-9:00 pm: Meaning, art, and the hermeneutical question: Hans-Georg Gadamer (1900-2002) Gadamer, H.-G. (1976), Philosophical hermeneutics. (9) Tuesday 25 November 2008, 6:30-9:00 pm: Art and the Paths of Interpretation: Around Balthus’s The Street Ricoeur, P. (2007) The conflict of interpretations: Essays in hermeneutics. (10) Tuesday 2 December 2008, 6:30-9:00 pm: Deconstructing art: Jacques Derrida (1930-2004) Derrida, J. (1994) The truth in painting. (11) Tuesday 9 December 2008, 6:30-9:00 pm: Art and the postmodern sublime: Jean-Francois Lyotard (1928-1998) Lyotard, J.F. (1993) ‘The sublime and the avant-garde’ in Postmodernism - A reader, ed. Docherty T.. (12) Tuesday 16 December 2008, 6:30-9:00 pm: Analysing the language of art: Ludwig Wittgenstein (1889-1951) Wittgenstein, L. (1953) Philosophical investigations; Wittgenstein, L. (1966) Lectures and conversations on aesthetics, psychology and religious belief. --

※ 发信站: 批踢踢实业坊(ptt.cc) ◆ From: 140.119.62.76 ※ 编辑: HsiaYang 来自: 118.168.20.157 (09/24 02:36) --

※ 发信站: 批踢踢实业坊(ptt.cc) ◆ From: 140.119.62.76