[节目资讯] 11/28(一)NHK世界台：日本游戏保存协会纪录片。 这个NHK WORLD好像不是大家家里第四台有线电视的NHK WORLD PREMIUM， 但可以用下面的连结线上实况收看： h ttp://www3.nhk.or.jp/nhkworld/en/live/ 节目长度约近半小时，NHK世界台英文网底下有45秒预告片，影片简单但做的非常有质感。 -- http://tinyurl.com/grdzb24 今年の春より长期の密着取材を受けていたNHKワールドのドキュメンタリーが、ついに 放映されます。 NHKワールドTVにて、 11月28日（月）10:30-10:58 / 16:30- 16:58 / 19:30-11:58 / 24:30-24:58 の各时间帯に流れ、NHKワールド公式アプリやホームページからLiveでご覧いただけま す。 ケーブルテレビをお持ちの方は是非番组の録画を。 ドキュメンタリーの言语は英语です。 放映日から2周间を过ぎますと、视聴ができなくなります。放映日当日のテレビでのご 视聴をおススメいたします。 28分に及ぶこのドキュメンタリーでは、ゲーム保存协会の実际の活动内容をご覧いただ くことができます。 ゲーム保存と言っても、私たちゲーム保存协会が扱う「ゲーム」は多种多様。専门的な 内容も多く、実际に何をしているのか想像しにくい部分もございますが、こちらのドキ ュメンタリーでは、メンバーらがどんな风に日々ゲーム保存活动を进めているのかが丁 宁に映されております。 ちなみに映像の中で使われている素敌なドットアニメは、世界的に人気の「洞窟物语」 を作った天谷大辅さん（开発室Pixel）が作ってくださったもの。 监督はマリー・リントン。半年间、団体活动に寄り添い、丁宁な取材を重ねてください ました。 ゲーム保存に挑む人々の活跃を描いた长编ドキュメンタリー、所々に挟まれるキュート なアニメーションもぜひお见逃しなく！ 番组详细についてはこちら（英语・予告编映像がご覧いただけます） http://www3.nhk.or.jp/nhkworld/en/tv/lens/315_28.html -- Game Preservation ??-??The Quest- Nov. 28 (Mon.), 09:30-9:58 / 15:30- 15:58 / 18:30-18:58 / 3:30-3:58 ShareTwitterFacebookGoogle+ *You will leave the NHK website. When we think of Japan, what comes to mind among other thi ngs is the tea ceremony, temples, manga and video games. But video games, which are a key aspect of “Cool Japan,” are often frowned upon. What’s worse is that most video games f rom the 1970s through to the 90s are in danger of being lost . Time and humidity have started to erode the games’ device s -- floppy discs, magnetic tapes, and consoles. Many device s from the golden age of Japanese video games are already be yond repair. Restoring and preserving these icons of a bygon e era has become an urgent task. If nothing is done, a big p art of Japanese popular culture will be lost. As a counterme asure, an NPO called the Game Preservation Society was found ed in 2011. 45 people from different backgrounds run the NPO . Some of the members are system engineers; others are docto rs, salarymen or librarians. They all share the same passion – a love for video games. Directed by a video game novice, this documentary is a tri bute to the organization’s work, video games and pixel art. The story features a Japanese graphic designer based in Kyo to. A virtual character he created, Amaya Pixel, is on a mis sion to save old video games. Amaya uses pixel art to introd uce the goals of the Game Preservation society, which are: c ollecting, repairing and preserving games, bringing them to the public, recording the game play, and last but not least, creating a comprehensive archive of Japanese video games an d devices. This way, researchers, historians and writers can rediscover forgotten games and write an objective and compr ehensive history of this important aspect of Japanese cultur e. Strangely enough, the NPO is the brainchild of a French c itizen named Joseph Redon. Ever since his youth in the Frenc h Alps, Redon’s been passionate about Japanese culture. He grew up with Japanese video games like many European and Ame rican people of his generation. When he arrived in Tokyo in 2000, he was shocked to discover that video games were left to languish within an inclusive community. So he started buy ing games on the internet and networking with Japanese peopl e who shared the same concerns. Joseph Redon says that recog nition of the value of Japanese culture often comes from abr oad. This is what happened with ukiyo-e. The major collectio ns of woodblock prints, “pictures of the floating world,” -- landscapes, female beauties or kabuki actor --, belong to foreign private collectors. Japanese people were late in ac knowledging the artistic value of these “cheap” prints fro m the Edo period. Redon fears this too could happen with Jap anese video games. The games already threatened with extinct ion and no public institution seems to care. “Thanks to the ir different sensitivity, only Japanese people could have ma de these games,” says Redon. “It’s important that they dr aw on their own history in order to be able to go on making games. This is why this heritage must remain in Japan for th e Japanese people, and indirectly for foreigners, because we will enjoy the magnificent work they will make in the futur e”. Director Marie Linton Location Japan Duration 28 min. Genre Culture / Society / Art Air Date (JST) Monday, November 28, 2016 -- --

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