旧金山呼叫：合成器x击乐实验音乐即兴 SF Calling: Synth x Percussion Experimental Music Improv 时间 Time/ 2018/10/23(二) 19:30 地点 Venue/ 江山艺改所（新竹市东区兴达街1号） Jiang Shan Yi Gai Suo (No. 1, Xingda St., Hsinchu City) 表演者 Performers/ <duo> Jorge Bachmann (US) / 模组合成器 modular synth + Kevin Corcoran (US) / 击乐 percussion feat. 张登尧 CHANG Deng-Yao / 二胡 erhu 入场赞助 Donation for entry/ $250-150 自由订价 self-pricing donation *不论年龄只要有亲子关系，即一位免费入场 Audiences with parent-child relationship will get free entry for one person. *请勿携带外食饮品 No outside food or drinks allowed. ////////////////////////////////////////////////////////////////////////////// 关於表演者 About The Performers/ ● Jorge Bachmann (US) Jorge Bachmann是一位旧金山的媒体艺术家、实验作曲家与策展人，他自2000年左右就加 入了当地的实验音乐/舞蹈场景。 巴赫曼的作品探索着广泛的可能性，兼容并蓄，从低限的「具象音乐」音景作品，一直到 类比模组合成器极微主义作品。 他从 1980 年代初期开始就在试探着日常生活中奇异、独特而微小的声响。他也收集田野 录音与创作着沉浸式的音景作品，将野外声音环境与人造声音的界线模糊。巴赫曼也为 MOBU舞团谱曲，并且与Christine Bonansea Dance Company密切合作。他曾在北美、南美 、欧洲、日本及台湾展演。他在2009的第十届旧金山电子音乐节演出自己的影音作品《 Coleoptera》。近年来，他偕同许多艺术家演出或即兴演奏：亚历山卓．柯第尼 (Alessandro Cortini)、布莱恩．戴 (Bryan Day)、麦可．隽卓 (Michael Gendreau)、 梅森．琼斯 (Mason Jones)、大卫．葛瑞夫斯 (David Graves)、丹尼许塔．里维罗 (Danishta Rivero)、马可斯．霍金 (Markus Hawkings)、松山佑子 (Yuko Matsuyama)、 凯文．寇尔寇兰 (Kevin Corcoran) 以及川口贵大 (Takahiro Kawaguchi)。 他最新的个人专辑《Mare Island》由巴尔的摩的「VauxFlores Industrial」厂牌发行。 目前他也是「Collision Stories」、「audre」与「Faults」等演出组合的一员。 JORGE BACHMANN is a media artist, experimental composer and curator based in San Francisco , USA. Working across a wide range of explorations, bachmann's work is eclectic, going from subtle "musique concrete" soundscapes to analog synth minimalism. Since the early 1980's he has been exploring the strange, unique and microcosmic sounds of everyday life, collecting field recordings and creating soundscapes meant for deep listening. He has performed in North America, Europe, Japan, Taiwan and South America. In 2009 he performed his audio-visual piece, Coleoptera, at the 10th Francisco Electronic Music Festival. In recent years he has performed and improvised with the likes of Alessandro Cortini, Bryan Day, Michael Gendreau, Mason Jones, David Graves, Dan- ishta Rivero, Markus Hawkings and Takahiro Kawaguchi. --- ● Kevin Corcoran (US) Kevin Corcoran的表演建立在以声音作为媒介的广泛兴趣上，而这些声音在表演与固定的 媒体作品中透过艺术、音乐、生态、传达沟通等的内涵之间流动。 身为一位击乐家，他最感兴趣的是能够延伸乐器发声可能性的相关技巧，包括强调构造声 响、磨擦、共振、持续音与物件的使用等等。因此，他的演奏重点是在演奏过程中自由安 排声响事件，而非以节奏来标定时间。 他也使用环境录音来进行表演，特别感兴趣的是自然与人造环境中的声响，透过回馈系统 、电脑软体与卡带对场域和电子声响进行观察与互动。在他的表演中这些声响经常用来结 合击乐演奏，被移置他处的环境声响提供了对於该空间暂时的声音自明性，以及对於过往 动作的声音层次，并且融入当下的声音创造。 他在加州大学戴维斯分校学习声音艺术与媒体理论，在取得科技文化研究学位之後搬到旧 金山定居、独立工作并与其他音乐家、舞者、电影导演共同合作。 他的表演足迹遍及美国、欧洲、日本与台湾，并且参与合作过几张发行的录音，其中包含 即兴演奏与作曲演奏，目前仍有合作和特定的即兴演奏计画在进行中。 同时他也是音乐会系列「Re:Soundwhich」的共同策划人与纪录者，该系列演出在旧金山 马雷岛一处废弃的弹药库中举行，并且透过非营利组织「23Five Incorporated」来运作 ，该组织是专门为了声音创作在公共领域中的发展与提升关注所设立。 Kevin Corcoran works with an open interest in sound as medium as it moves through contexts of art, music, ecology, and communication in performance and fixed media pieces. As a percussionist he is most interested in techniques which extend the sonic possibilities of the instrument emphasizing textural sound, friction, sympathetic vibration, sustained tones and the use of found objects. In this way, emphasis is placed on freely arranging sonic events in duration rather than marking time by rhythm. He works also with environmental recordings, interested in sounds of natural and built surroundings through both observing and interacting with sites, and electronic sound through feedback systems, computer software and cassette tapes. These sounds are often combined with percussion in his performances where displaced environmental sounds provide a temporary acoustic identity of the space, and layers of past actions join the present moment of sound-making. After earning a degree in Technocultural Studies from the University of California at Davis where he studied sonic arts and media theory he relocated to San Francisco where he currently lives, working solo and in collaboration with other musicians, dancers and filmmakers. He has performed throughout the United States, Europe, Japan and Taiwan and has collaborated on several published recordings both improvised and composed while continuing to work in ongoing collaborations and ad-hoc improvisations. In addition to his own work he is co-curator and archivist of the concert series Re:Soundwhich takes place in an abandoned munitions magazine on Mare Island and operates under the nonprofit organization 23Five Incorporated which is dedicated to the development and increased awareness of sound works in the public arena. --- ● 张登尧 CHANG Deng-Yao 1984年生於新竹，美国马里兰艺术学院艺术创作硕士，2010年回台後持续从事艺术展演、 策划与推广至今，并成立江山艺改所艺文空间。自幼学习钢琴与二胡多年，并参与乐团演 出，聆听音乐类型广泛，从古典传统到前卫实验，近年开始尝试以二胡及唢呐进行自由即 兴与噪音演奏。 Born 1984 and based in Hsinchu, Taiwan. Deng-Yao received his Master of Fine Arts degree from the Maryland Institute College of Art (MICA) in Baltimore, MD. He has been constantly working on artistic practice, curatorial practice and art promotion since returning to Taiwan in 2010. He founded the art space “Jiang Shan Yi Gai Suo”. He learned to play piano and erhu for many years when in young ages and participated in a well-known local Chinese orchestra. He enjoys listening to music comprehensively, from classical or traditional music to avant-garde or experimental sounds. He has attempted to play erhu and suona in an freely improvisational and noisy approach in recent years. 活动页面：https://www.facebook.com/events/1934778073254944/ --

※ 发信站: 批踢踢实业坊(ptt.cc), 来自: 111.249.105.1 ※ 编辑: OscarJeff (111.249.105.1), 10/23/2018 02:53:42