暌违一年的电影活动正式起跑 记者会上百分之80的话题都找上她，逗得记者乐开怀 红毯女神再显风范，那件难掌握的纪凡希美到不行 现在连影评都开得很好...这种好运势怎麽办到的喔... 新版灰姑娘的整体评价不错 除了特效假假被小诟病外，大部分都认为这是一个聪明的改编版本 在设定上也与时共进，不是强调女性柔弱，需要被救援的角色 电影的华丽服装可以直接领取明年奥斯卡（Sandy Powell今年还做了CAROL的服装） 所有的影评都点出凯特布兰琪的选角与演出是电影的最大亮点 （以下影评关於阿姐的都以原文表示，心想阿姐版大家英文都看得懂呴） The Playlist (B+) it can, and does surprisingly well, by approaching the story with a sincerity and sweetness that defy cynicism, and by casting Cate Blanchett. But as so often with Disney films, this one is owned by its villain. Cate Blanchett, jaw-dropping in an Easter Parade's worth of amazing costumes (that 2016 Oscar should just be wrapped up and mailed to Sandy Powell now), is the ace up the film's fitted satin sleeve. Striking catlike poses and oozing poison when required, she is also given a little humanity, including a surprisingly dorky, vulgar laugh that suggests just how studied and artificial her elegance is. One scene in which she tells her life story like she's the heroine of a "once upon a time" tale, does in two minutes what "Maleficent" couldn't do in two hours: it helps us understand her character's brokenness without declawing her one bit. (这段还鞭了一下裘莉的黑魔女，黑魔女电影两个小时里不断打苦情牌说明主角有多苦， 但灰姑娘两分钟就搞定) It's so good in fact, that it will no doubt extend this myth's influence even further, so it can inform even more female rescue fantasies, and ensure that a whole new generation of young girls, like so many generations before them, grow up wanting to be princesses. Fingers crossed this time, though, that just a few of them grow up wanting to be Cate Blanchett instead. （救命，这段又大赞阿姐，要少女们以後不要当公主，要当凯特布兰琪） Hollywood Reporter Looking the very picture of soignée 1940s-style chic in Sandy Powell's extraordinary costumes, Blanchett reinvigorates the textbook villainess both with her delicious cruelty and her gnawing resentment. "Love is never free," she says bitterly as she contemplates her own narrowed choices and exposes her ruthlessness. Blanchett pulls off a superb balancing act, making the stepmother archly amusing with her world-weary imperiousness, but also giving her a tang of desperation and tiny hints of a less refined woman beneath all the manufactured poise. While her mission is to secure her daughters' future along with her own, her barely disguised disdain for those idiotic brats lends additional underlying pathos to her malice. Powell's mixed-period costumes, with their astonishing range and inventive design flourishes, are up there with Ferretti's work creating a visual orgy. Blanchett's drop-dead glamour is at the top of the list, with her daughters' gaudy gift-wrap ball gowns at the deliberately vulgar low end. (Their coordinated ensembles throughout are a hoot.) （凯特再度被赞美在这个角色里融入细腻的深度，她在表面的恶毒中可以看出是掩饰她的 脆弱） Variety Such a lavish approach is not without its drawbacks, as it can inadvertently serve to make the human cast feel almost plain by contrast. Only Cate Blanchett, who plays the imperious Lady Tremaine, fashion-plate stepmother to ash-covered orphan Ella (“Downton Abbey’s” Lily James), seems fit to hold her own against such extravagant costumes and sets — and none of the outfits are more formidable than Blanchett’s elaborate wardrobe of brilliant green gowns, stunningly designed to complement the butterfly-lit star’s ginger locks and ruby-red lips. With eyes wide, brows arched and her mouth in a permanent scowl, Blanchett blends aspects of Bette Davis, Barbara Stanwyck and Marlene Dietrich into an epic villainess, so deliciously unpleasant one almost wishes the film were focused more on her. （好莱坞黄金年代恶女三大神主牌被请出来比较，还表演是融合这三天后） Cine-Vue However, the film's strongest asset is Blanchett's performance as the wicked stepmother. Constantly dressed to the nines, the simple manner in which she turns Cinders into a submissive slave through passive aggression is a joy to behold. Despite Blanchett's resplendent performance and the comforting assurances that are inherent with any excursion into the reliably innocuous Disney universe it's tough to overlook the fact that there's something depressingly antiquated about Branagh's dazzling fairytale and its regressive sexual politics. ScreenDaily But it’s also a delightfully clear-eyed adaptation of Charles Perrault’s fable of goodness triumphing over adversity, which brings psychological depth to characters like Cate Blanchett’s magnificent, believable stepmother, and even provides a little geopolitical context for the story’s fantasy kingdom, without forfeiting the magic - both supernatural and romantic - that has made Cinderella such an enduringly necessary tale for generation after generation. Guardian None is an accusation you could fairly level against Cate Blanchett’s splendid Lady Tremaine. A tart-tongued beauty with a traffic-stopping wardrobe inherited from the personal archives of Edith Head – not to mention an evident knack for hosting a mean poker party – she’s plainly the biggest catch in the entire kingdom. One wonders what he could do with other, gutsier Disney princesses, particularly with the brilliant Blanchett to keep them on their oh-so-dainty toes. (卫报看来直接呼吁大家去猎捕阿姐，谁捞到谁赚到) 电影预期评价大概就是开7分（满分10）左右 Metacritic大概是60几分，对於一部这种类型的电影算是非常好的了 评价意外没大倒，大家可以放心吃饭睡觉了 --

※ 发信站: 批踢踢实业坊(ptt.cc), 来自: 90.245.17.157 ※ 文章网址: https://webptt.com/cn.aspx?n=bbs/Cate/M.1423903368.A.32A.html ※ 编辑: paulik (90.245.17.157), 02/14/2015 16:50:15