Bridges to Heaven: A Symposium on East Asian Art in Honor of Professor Wen C. Fong(2006/4/1-2) Bridges to Heaven is an international symposium organized by the P. Y. and Kinmay W. Tang Center for East Asian Art with support from The Blakemore Foundation and co-sponsored with the Princeton University Art Museum, the East Asian Studies Program and the Department of Art and Archaeology This symposium will feature fifteen paper presentations, and a related festsch rift publication to follow will include about forty papers by Professor Fong's students and several of his colleagues. Both will honor Wen Fong's 45 years of teaching at Princeton, his years of leadership at The Metropolitan Museum of Art, and his unsurpassed impact on the field of Asian art history. The main title of the symposium and of the subsequent publication, "Bridges to Heaven, " pays homage to Wen Fong's ground-breaking dissertation and his resultant early publication, entitled The Lohans and a Bridge to Heaven (1958). Many of Wen Fong's students in Chinese, Japanese, and Korean art history will present new research that has been deeply influenced intellectually and methodological ly by his teaching and has ventured "across many bridges," linking art history with a multitude of other disciplines, including literature, political and soc ial history, religion, anthropology, and geography. Saturday, 1 April 2006 Registration and Coffee, 8:30 am-9:30 am McCosh 50, Helm Auditorium, Princeton University Morning Session 9:30 am-1:00 pm Welcoming Remarks Jerome Silbergeld, Princeton University Introductory Remarks James F. Cahill, Emeritus, University of California, Berkeley Wan-go Weng, Lyme, New Hampshire Reconfiguring the Canon: The Art Historical Discipline Chairs: Shen C. Y. Fu, National Taiwan University Lothar Ledderose, University of Heidelberg Maggie Bickford, Brown University Why Visual Evidence is Evidence: Rehabilitating Connoisseurship at the Start of a New Century Anthony Barbieri-Low, University of Pittsburgh Regionalism in Han Dynasty Stonecarving and Lacquer Painting Nicole Fabricand-Person, Lafayette College A Change of Clothes: Selective "Japanization" of Female Buddhist Images in the Late Heian and Kamakura Periods (12th and 13th Centuries) Afternoon Session 2:30-5:30 pm Material Illuminations: Inscriptions, Texts, and Print Media Chairs: Roderick Whitfield, Emeritus, SOAS, University of London Maxwell K. Hearn, The Metropolitan Museum of Art Hui-liang Chu, Taipei Physical Education College and Chinese Culture University Calligraphy and Changing of the Word—A Study of Yang Weizhen's Inscription on "Album of Ancient Coins" Hui-Wen Lu, National Tsing-hua University Imag(in)ing Oriental Art in Late 19th-Century America: A Study on the Text and Color Illustrations of Oriental Ceramic Art Christine C. Y. Tan, Princeton University "One Hundred Beauties" Multiplied Richard K. Kent, Franklin and Marshall College Fine Art Amateur Photography in Republican-Period Shanghai Sunday, 2 April 2006 Registration and Coffee, 8:30 am-9:30 am McCosh 50, Helm Auditorium, Princeton University Morning Session 9:30 am-12:30 pm Cultural Contexts: Appreciating the Arts Chairs: Shou-chien Shih, National Palace Museum David Ake Sensabaugh, Yale Art Gallery Helmut Brinker, University of Zurich Seeking Delight in the Arts: A Literary Gathering by Ikeda Koson (1801-1866) Jan Stuart, Freer-Sackler Galleries Methods of Display and their Impact on Art Appreciation in mid-to-late Imperial China Yi SongMi, Emerita, The Academy of Korean Studies Making of the Royal Images: Documents and Paintings of the Chos?n Dynasty (1392 -1910) Pao-chen Chen, National Taiwan University An Analytical Reading of the Portraits of Emperor Qianlong and his Consorts Afternoon Session 2:00-5:30 pm Inspiration from Realities: Art and Representation Chairs: Chu-tsing Li, Kansas University, Emeritus Julia K. Murray, University of Wisconsin John Hay, University of California at Santa Cruz Shanshui, Shanshuihua, and Dili Robert E. Harrist, Jr., Columbia University Camel Mountain and Lotus Peak: Images Discovered in Nature and their Representation in Chinese Pictorial Art Yukio Lippit, Harvard University Apparition Painting Richard M. Barnhart, Emeritus, Yale University The Song Experiment with Mimesis Reflections on Chinese Art History Wen C. Fong, Emeritus, Princeton University Concluding Remarks Jerome Silbergeld, Princeton University --

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