前文恕删 借用一下标题XD 我终於买到最後一次心动的原声带了Q_Q (在西门佳佳买的 价钱让我有点想吐血 NT$699...) 跟我一起去看的朋友一直以为演唱的人是Placebo 但并不是... blackmail&Lee Buddah所写的歌都很赞! 附上电影导演在原声带里面写的东西 "Off Beat" is a story of the power of dreams and how we sometimes feels things in ourselves and don't know where they come from. We only know that they are true and that we want to keep them. And just as dreamers have their own compelling logic - my brother once told me a dream that went: "...it looked like a baseball bat, but I knew it was a helicopter." - so does music have its own compelling logic: A march makes one want to march. That's why the music was so important to me in this film. At a very early point in time in the development of the film I met Lee Buddah, who is not only an excellent musician and crazy with it, but also a philosopher, as can be seen in all his lyrics. We sat for days on the roof terrace of Pillip's apartment, staring down at Dortmund's huge port and mused wildly on the meaning of life. And somehow I get the feeling that all this can also be heard in the music that he produced afterwards. We pretty quickly agreed that we didn't want just score music but also a soundtrack full of songs. Lee Buddah was also the one who suggested to me that blackmail write and perform some of the songs. He had the album "Bliss, Please" with him. I didn't have an apartment at that time and we listened to the songs in a friend's kitchen on a girlfriend's CD recorder. As soon as I heard the first chords I could immediately see the film - image for image - moving across the greasy floor tiles. I then met the guys in Coblenz and showed them a few frames from the film. A week later Kurt Ebelhauser called me up and said they had written and recorded eight songs and had sent them off to me. I'd had a good laugh about the guys from the first day on, but I couldn't believe at first that they cool enough to write eight good songs in a week and was expecting the CD with mixed feelings. Two days later it was there. I heard it for the first time in the car, on a perfectly clear, cold winter day. The first song on the CD was "Never Forever". I sat in the car, letting out high-pitched, hysterical screams the whole time, one after the other, pounding on the wheel and shouting, "Yes! Yes!" out the window. The songs are more or less as they ended up in the film and they fit in in an almost uncanny way. More than once when we were editing we just underscored a scene we had finished cutting with a song that had been created long before. For example, our hero leaves the fire station after a god-awful day. The music starts. He stands in the yard, the sun is shining, he closes his eyes. Just at this second Aydo begins to sing: "Make a wish...". We cut from the sun-lit face of our hero to the blue sky. On the horizon an airplane draws a white line through the sky and Aydo sings: "...on an abstract plane...". This brings us back to the beginning again, to the very few moments in our lives where we realize that there are more things in heaven and earth than we can imagine when we are awake. The work with the musicians, as different as they were, is one of the best memories I have of the film and I am pretty sure this really comes across when people listen to the soundtrack. "So long, so long - everyone's gone." Hendrik Hoizemann, Director and Screenplay 试听三首 http://springsteen.myweb.hinet.net/Kammerflimmern.rar -- I try to say goodbye and I choke I try to walk away and I stumble Though I try to hide it, it's clear My world crumbles when you are not near... --Macy Gray, I Try --

※ 发信站: 批踢踢实业坊(ptt.cc) ◆ From: 61.228.75.70 http://springsteen.myweb.hinet.net/15_Airdrop.m4a ※ 编辑: springsteen 来自: 61.228.75.70 (04/26 18:51)